Worst by Chance

An account of karate competitor Choi Yeung-Eui who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama and went across the country, defeating martial artists one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

Set in the 1970's in the Kansai region of Japan.. Yong-Gil is Korean, but he moved to Japan and settled down. He runs a small restaurant named Yakiniku Dragon. He is married and has three daughters: oldest daughter Jung-Hwa, middle daughter Yi-Hwa and youngest daughter Mi-Hwa. Oldest daughter Jung-Hwa is dating Tetsuo, but they break up. Middle daughter Yi-Hwa loves Tetsuo and marries him, but Tetsuo still loves her older sister and they divorce. Youngest daughter Mi-Hwa wants to become a singer, but she is in love with a married man.

A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

A spirited and brave fiction debut by Lee Sang-il, a Korean-Japanese filmmaker, that explores the taboo subject of the relations between Korean immigrants and Japanese in Japan.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

Romeo, A.K.A. Kosuke Matsuyama, is a second-year high school student. A nice, normal, nonviolent type, he suddenly finds himself in the middle of a rampaging crowd of Korean boys, outraged by insults perpetrated by several of his idiotic class-mates on two Korean girls. He makes a narrow escape, but soon after, he and his best bud Yoshio are sent by their home-room teacher to invite the Korean students to a friendly soccer game as a way of restoring the peace.

A retired contract killer goes on a bloody rampage when a young girl finds herself at the mercy of gangland human traffickers and only one man can come to her rescue, with an arsenal of weapons and years of experience in the art of killing.

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

Story of Rikidozan, a sumo wrestler who can only achieve limited success in Japan because he's half Korean. But when Rikidozan goes to the United States and discovers professional wrestling, he becomes a hero back home.

Director Park Soo-nam, a second-generation Korean resident in Japan who is losing his eyesight, decides to digitally restore 16mm film she shot a long time ago, relying on her daughter Park Ma-eui's eyesight. The blood, tears, and numerous corpses of Koreans living in Japan are clearly engraved in the film filmed over 50 years.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society. 

Horoomon: the Japanese word for grilled offal, derived from "something to be thrown away." There were people who picked up discarded animal intestines and ate them—Koreans who moved to Japan during the Japanese colonial era. The Japanese looked down on them for grilling and eating offal, but today, it has become a beloved dish for all. For Zainichi Koreans who have lived in Japan, horomon carries the sorrows and history of their lives.

This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.

Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.

Portraying the fifty-year history of zainichi (long-term residents in Japan) Koreans after the liberation of Korea, traces of zainichi evoked in this film question the concepts of 'post-war democracy' and 'pacifism' in Japan. With copious stock footage and testimony, the first half of the film, "History," chronologically traces the various experiences of zainichi from Japan's defeat (Korean liberation) through 1990. The latter half, "People," focuses on first, second and third-generation zainichi respectively, vividly depicting how they live.