Demon Days: Live at the Manchester Opera House is a Grammy Award nominated live DVD by Gorillaz, It compiles live performances by the band from the 1st through the 5th of November 2005 at the Manchester Opera House that recreated the Demon Days Studio album.
The set features songs from the Song Machine project, along with some revered classics from the group’s back catalogue. The full Gorillaz live band, plus a choice selection of featured artists, showcasing their first live performance since 2018. This special presentation also features a pre-show programme and exclusive behind-the-scenes footage.
2D tries to jump over Russel on a bike.
Performing live from the Tonhalle, Dusseldorf, Germany. Gorillaz played live in this unique classical venue to an intimate audience.
The Gorillaz members enter the Spirit House for a mind trip.
Over the course of a fifty-year career, the British band The Cure has released fourteen highly successful studio albums; but it was their 1989 album Disintegration, released during a pivotal year for Europe and the world, that would capture the imagination of so many fans.
On moral topics. The hero of the film is Khryapov, a man who disregards generally accepted norms of behavior.
From pyongyang to Pluto and Black
Famous tragedy by Euripides in ballet.
This film explores how Canada wavers between rejection and acceptance of closer ties with the United States, tracing the historical precedents of current issues between the two nations. Canada continues to question her identity despite the influence of a powerful neighbour.
The viewer is lured deep into a dilapidated glasshouse, a place where nature is traditionally tamed and studied, by a ghostly figure, dancing to a variation on the popular song from Disney’s The Jungle Book (1967). As the music fades out, he makes way for the vocal group Black Harmony, offering a reinterpretation of the song in their own language - Lugbara. I Wan’na Be Like You deconstructs and reconstructs the novel, film, that song and their legacies.
In 2004, Status Quo was one of a number of major artists to play a special show to mark the opening of the recently renovated Zürich Airport, Switzerland. The show was performed inside of an aircraft hangar in front of a crowd of over 10,000.
a little guy plants a magical seed and probably dies
Hussain Shariff's first film, a documentary centred on a traditional fertility rite of the Ingessana people in the southern Blue Nile State, celebrating ashes, the sun and good harvests.
X-hale
Not the Waters of the Moon is an educational documentary developed for UNICEF. The film is to encourage vaccination of children in rural areas. The title of the film was carefully selected by the Director, to explain simply to the villagers that it is not a difficult task to perform vaccination.
Eva Giolo’s latest work takes us to Val Gardena, where people still speak Ladin, a Rhaeto-Romance language. Giolo subverts the usual representation of mountain communities to deliver a portrait of a precious cultural heritage in constant evolution. Here, the inhabitants preserve and nurture their culture for future generations with awareness of the world and creativity. Shot on 16mm film sensitive to the grandeur and fragility of nature, Memory Is an Animal, It Barks with Many Mouths is an exquisite essay on the vital importance of linguistic diversity. Made in Ladin language.
Exceptional documentary devoted to Félix Leclerc. The images are taken from five films produced by the NFB during the 1950s (Un Canadien à Paris from the Coup d'oeil series, Chantons maintenant, Félix Leclerc, troubadour, La Drave and Les Brûlés). A commentary by writer Marcel Dubé, with narration by Monique Leyrac, enriches this previously unpublished documentary portrait.
Adrian Paci’s sensitive gaze enters an aluminum transformation plant to explore the relationship between the workers’ bodies and the factory environment, celebrating the enduring value of labour. Through meticulous observation and perfectly composed framing, Merging Bodies delves into gestures and materials that blur the boundaries between the workers and the machinery. Paci’s hypnotic camera captures details that transcend the immediate context, liberating the visible from a singular interpretation.