When the clock strikes twelve in a toy store a bunch of paint tubes come to life.
A high-speed drive through the streets of Paris.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Hannah
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.
Kill
A young llama named Koro discovers that the grass is always greener on the other side (of the fence).
Koro wants to get to the other side of the road.
Nancy and Sluggo do their bit for the USO.
Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.
Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.
The Foodimals join Earl's scouting program but are very competitive.
Manny saves an adorable kitty with his many skills.
Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.