Thanmathra

Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.

Thalappavu (English: The Headgear ) is a 2008 Malayalam film loosely based on the events related to Naxal Varghese and Police Constable P. Ramachandran Nair. The film portrays the social and political issues of the Naxalite era of the 1970s in Kerala.

Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.

Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

The lives of two young families who lived in the same house, starts turning upside down when they find the amulet that La Llorona uses to try to pull her children from the waters and bring them to life. While the authorities investigate what appears to be abused children, the spirit of La Llorona intensifies her attacks on those families.

During an ordinary car ride to a friend's house, father and son share a conversation about their estranged relationship.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

A law student takes a job as a night watchman at a morgue and begins to discover clues that implicate him as the suspect in a series of murders.

The film tells the love story of two young couples. According to their social ranks, construction worker Edy is dating employee Siegi, while medical student Dieter is dating art school student Sonja. Rather unintentionally, they exchange partners. During a carnival ball, Dieter makes out with Siegi because he falls for her her fresh and happy girlish manner. Sonja coolly observes this game and sees this intermezzo as a test for their relationship. While Siegi and Dieter vacation at the sea, Sonja falls in love with Edy. Now the die seems to be cast for new constellations. But when both couples stand in front of the registrar’s office, they finally come to their senses.

An eccentric family is re-united during the 1968 general strike in France, after the death of the grandmother.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

Two neighbors lean on each other, turning small moments of life into great treasures.

Akkaldhamayile Pennu is a Malayalam movie directed by Jairam Kailas released on 20 November 2015. The film is based on a story of a woman gravedigger. The film was produced by Kasim Arikkulam and Ashik Doha under the banner of Pearl Media and Movie Productions. Swetha Menon, Malavika Nair, Vineeth, and Sudheer Karamana had the leading roles.

Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently -- and when the day ends, they question whether school will ever be the same.

At 2:37, someone commits suicide in the school lavatory. The day is told up to that point from the viewpoint of six different students.

Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.

The film revolves around an eight-year old called Ryan Philip and his adventures with a magical pen called the Monkey Pen.