Věci

Author and her crew go on a field trip to a kindergarten to ask the children what they would like to do when they grow up. The children have very clear ideas about their future, which the director visualises with the ease and artistic shorthand typical of children's drawings.

Liav (24) decides to look back at the girl he once was. Seeking to understand the painful decision to stop his gender transition process while it was in full swing and return to being a man, he embarks on an intimate journey to reconnect with his previous, younger self. He pieces together the figure of Lia - a vibrant young woman who experienced a spiritual metamorphosis, but also a severe trauma that led her to abandon her identity. Between past and present, between Lia and Liav, questions of identity, masculinity and femininity surface, attempting to understand what remains when turning back the clock - and what cannot be reclaimed.

Filmed collaboratively during lockdown, this short film is an exploration of the hidden moments in life that typically go unnoticed, and the acceptance of our given situations through appreciation for the mundanity of existence.

Amidst the ivy-draped remnants of once-notorious public housing projects, FOR THOSE THAT LIVED THERE weaves a visual tapestry, navigating the poignant impacts of gentrification, the displacement of Black legacies, and the emergent migrant narratives. Against Chicago's ever-evolving skyline, this evocative exploration immerses audiences into the soul of a neighborhood transformed.

A community documentary highlighting the intersectionalities of the Black experience at the University of Michigan, divided into 6 sections: Black Beauty, Black Love, Black Arts, Black Academia, Black Struggle & Perseverance, and Black Joy.

memory file 01

Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.

A film about filmmaking.

Polio is a viral infectious disease that can cause paralysis. The disease is almost eradicated today, but there are still people among us who suffer lifelong consequences after a polio epidemic.

A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.

26 April 1986: Chernobyl’s reactor number 4 explodes and provokes the biggest nuclear disaster in history. Pripyat, where the plant is located, becomes a ghost city. Guided by former inhabitants, Eliška Cílková takes us in her quest of the town’s memory. Gracefully shot, the film reminds us the power of music where less expected.

The documentary traces the history and legacy of Poona Guest House, a place situated in the heart of Pune, and how early cinema gave rise to this establishment, its delicious traditional food, and a mother's home to many dreamers.

A Culpa é do Sol

A documentary exploring the importance of film preservation through the work of the IFI Irish Film Archive

Zemplínska Šírava

During a drawing workshop, a girl traces on the wall of her room the memory of her sexual abuse; a young woman recalls the night in which the deception of those she once called friends turned into harassment. By sharing the stories with other girls and women, they realise that these are not isolated events but fragments of a shared wound.

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

The film portrait of a face made of shit thematizes the individual's ideas about his own freedom. Antonín dolák, philosopher and YouTuber, feels free when he gets rid of all social conventions. He loses his face, takes off his mask and talks openly about the socially taboo topics that line his life. However, a conflict arises between him and the staff, when Dolak loses control over the depiction of himself.

Ľudia a telefon

A minimalist portrait of ultimate love.