Look, Up in the Sky! The Amazing Story of Superman

In this visual essay John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, provides a tour of where Seven Chances was filmed, comparing archival images with contemporary photos, and sharing stories of Mrs. Eleanor Keaton's visit to the Seven Chances church.

Four visual essays by Silent Echoes author John Bengtson identifying Buster Keaton's shooting locations for his many short films produced between 1920-1923, many in the streets surrounding his former Hollywood studio, the same studio where, a few years earlier, Charlie Chaplin had made his brilliant series of Mutual shorts.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

A documentary about Buster Keaton's "Italian" villa in Beverly Hills.

Figli del Set

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

A feature-length documentary about the film Galaxy Quest and its legacy, celebrating its milestone 20th anniversary.

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

They created and performed the iconic action sequences of 007, Indiana Jones, Superman, Rambo, Star Wars, Conan, the Alien films and pretty much everything since. They crashed cars, jumped from burning buildings, shot, stabbed, kicked and punched their way into cinema history. This is the first feature documentary to unite the legendary community of stuntmen in telling their story and, as you'll see, there's life in the old dogs yet.

E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

Spanish filmmaker David Trueba travels to New York to interview Woody Allen, who reviews his filmography and his many personal and artistic concerns.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.