Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.
The story of the journey of married couple up the social latter. The husband is professor at Seoul National University who is running for the National Assembly, and his wife is a painter.
An indebted young woman gets a proposal from a handsome man to apply for work on a luxury yacht with his boss, the difficult, infirm old chairman of a large company, where they can manipulate him to get their hands on his wealth.
The assistant of a wealthy socialite reveals her husband's salacious affair. The fallout entangles him in a web of sex, love and deceit that could threaten his life and career.
When an old collaborator gets severely injured, a veteran policeman tries to figure out the way to bring to justice the ultimately suspected aggressor, a spoiled young executive, heir to a mega corporation, who believes he is above the law.
Hwang Yeo-rae, a once-popular actress, faces a turbulent marriage and yearns for her old career. When she moves in next to Kim Beom-woo, her biggest fan, a desperate plan to regain her freedom and revive her career unfolds.
Mogura, a shut-in former musician, falls in love with a young cellist after seeing her photo in a magazine.
Renji grew up in a family that runs a pelagic fishing business and vaguely thinks about becoming a fisherman in the future. He is attracted to Kyoko, a new transfer student to his fisheries school who is knowledgeable about whales, but there is a big difference of opinion between Renji, who thinks whaling is wrong, and Kyoko, who advocates whale protection.
A washed-up former punk rocker is frustrated by his work at his grandmother's hot spring. He returns to Tokyo and finds himself entangled in a web of crime.
Omnibus film, set in a fictional town at 45゜N latitude: Wonder Rubbish; Pao-san to no fukushu; Jonetsu no koya; Kaze wa, dotchi ni fuite iru
No Estamos Solos
Bidhu, a family man, leads a content life with his two sons and four daughters. As the sole breadwinner of the family, Bidhu's life turns upside down when his son is diagnosed with tuberculosis.
Joe is an arson investigator for the fire department. He has a loving and devoted wife and has two just as loving and devoted sons. Things couldn't be better for him until he learns that the department wants to retire him. He does so reluctantly. He then falls into a deep depression because, while most people look forward to retirement, he doesn't. So, his wife and children do their best to lift his spirits but all he does is push them away.
Heartbroken and disillusioned with love, Ayan, a college student, meets Smriti, a young widow, during his trip to North Bengal. Although he loves her, she takes a while to reciprocate his feelings.
Claire Tree spends the night in the hotel room of her friend and confidante, saying goodbye to him before her impending marriage the following day. When she returns to the hotel with her husband the following night, the house detective accuses her of prostitution and throws them out. Now Claire must explain everything to her unsympathetic husband.
This first film adaptation of Bertolt Brecht’s play about class distinctions was made in 1955 in the Vienna Rosenhügel studios, but it was only premiered five years later. Curt Bois plays the rich capitalist Puntila who only becomes somewhat agreeable when he is drunk (which he is most of the time in this film). In his inebriated state, Puntila not only gets amorously involved with three different ladies but also suggests that his daughter Eva marries his chauffeur Matti. The chauffeur, however, doesn’t really agree…
After 7 years spent in jail Paul is free again. With his old crew he celebrates his return. Nothing seems to have changed. And soon Paul finds himself drunk as a skunk at a party in a Blankenese villa...