Meth

One of the earliest documentaries to deal with AIDS.

A Place to Live: The Story of Triangle Square chronicles the journey of seven brave individuals as they attempt to secure a home in Triangle Square, Hollywood, the nation's first affordable housing facility for LGBT seniors. Since demand far exceeds the number of available apartments, a lottery system was set up to determine who would be selected. This film is a moving exploration of the applicants' personal stories and the journey that brought them to the lottery and what the future might hold.

Narrated by Linda Hunt, this documentary examines the life of the late author and gay rights activist Paul Monette. Born in 1945 to a well-off Massachusetts family, Monette grows up unable to accept his homosexuality, for years hiding it from his loved ones while struggling to develop as a writer. In 1978, Monette publishes his first novel, which allows him to come out to his parents. After losing one lover to AIDS in 1986, he becomes a ferocious advocate for awareness of the disease.

By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.

An intimate conversation between two guys...

Interviews with naval and military cadets in Russia explores such topics as male-bonding, hazing, patriotism, brotherhood and alcohol abuse.

Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.

A fine documentary that details the sordid life of 1970s pornographic actor John Holmes, from the stories of his fellow actors, his ex-wives, and directors. Clips of his work are shown and insight on what made the man tick are given. Despite all his flaws, you can't help but admire him for what he was.

A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.

German iconoclast filmmaker and gay-rights activist Rosa vonPraunheim examines his own life and career in the documentary Phooey Rosa! With a quickly paced editing style, the film is a mix of personal banter, candid interviews, and clips from his filmography. It also includes footage from his early film Bed Sausage to his later work Neurosia. At the age of 60, vonPraunheim reveals intimate details about his past relationships and his childhood growing up after WWII. He also implicates some of his friends and inspirations, including Luzi Kryn and Rainer Kranach.

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.

This film tells the story of the unknown pre-history of the AIDS virus, long before people started to die in the US and Europe. Following a team of scientists we uncover a forgotten medical archive in the Democratic Republic of Congo, that tells of an epidemic a full two decades before anyone knew about the novel killer. From high-tech labs in the US to African medics who have their boots on the ground, we trace HIV back to its origin in the jungles of Cameroon. In the decades around the turn of the 20th century, colonialism fundamentally changed the lives of millions of people in central Africa; it created an environment that allowed HIV to leave its original host, the chimpanzee, and start to spread in humans.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

After the Stonewall riots and at the height of the gay liberation movement in America, an entire generation were busy celebrating their newfound emancipation, unaware of an impending epidemic. A disease that seemed determined to wipe out an entire generation of gay men, was largely ignored by politicians and the mainstream media. Gaetan Dugas was a French-Canadian flight attendant, who offered to help early scientific research into the origins of AIDS. An unfortunate series of events followed and he would be vilified as Patient Zero, the man who gave us AIDS.

"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)

In the early ‘70s, in Argentina, a group of homosexuals decided to confront the status quo. With testimonies from its survivors as its denouncement source, Sex and Revolution brings back the voices of those who thought in order to be recognized as political actors in a society that wasn’t prepared for them.