A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Mickey McGuire is putting on a bad performance of Uncle Tom's Cabin, but first he has to deal with the competition; another boy is putting on a wild animal show -- house cats inflamed by the "tamer" having white mice in his trousers.
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
Gussle Rivals Jonah is a silent comedy
In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
A young history student goes to his uncle’s mansion to find out what caused the old man descend into madness.
Spanish silent comedy based on Armando Palacio Valdés' novel. It was the first film starring Imperio Argentina.
The Tenant continuously fails to escape his deadly apartment within a 5 minute time limit as his blood-thirsty neighbor threatens him from behind the front door.
On the way to Sunday school, Edgar meets the lady of his heart--and his hated rival. The Sunday-school lesson on David and Goliath so intrigues Edgar that he sees himself as David, saving the entire school, sweetheart and rival included, from Goliath's sword. Edgar's answer to the teacher's question proves his straying thoughts. As a result he is placed on the platform, where he sees himself descending to the "lower regions" as the "worst boy in the school." Edgar's Sunday adventures end with him at peace with the world, after two helpings of pie.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A silent black comedy, about the monetary needs of a character & how it impacts the others. A young, unemployed graduate Mahadev’s struggle to land a job through any means possible and crosses paths with a businessman and petty thief. A subject wherein silence speaks much louder than words. Although a work of fiction by the writer, all the characters in the film are sketched out to seem very real and relatable ensuring an enriching journey as well a laugh riot as the cat and mouse guffaws amongst them unfold. Gandhi Talks aims at telling a story by switching off the device of dialogue, which is not only scary but also interesting and challenging.