A girl in search of sailors lost in the Pacific.
Released in five parts (The Persecution of the Children of Israel by the Egyptians, Forty Years in the Land of Midian, The Plagues of Egypt and the Deliverance of the Hebrews, The Victory of Israel, The Promised Land), 4 December 1909 to 19 February 1910. A Vitagraph advertisement in the Moving Picture World (31 Dec. 1909) refers to The Life of Moses as a "Biblical Film-de-Luxe". It is preserved in the Library of Congress collection.
In Spain, a girl awaits the return of her lover, an officer in the army.
Based on the Helen Hunt Jackson novel of 1884 about a young woman of partial Native American descent, who experiences love and loss in 1800s California.
On his way out of a wedding, a young boy named Peachskin finds a jewel by chance. Bringing it back to its owner, she becomes his benefactress in the years that pass.
Directed by Yuri Zhelyabuzhsky.
Fate brought together Ode, a young man from Buton with big dreams, and Ade, a wanderer from Bali. Like two souls in love, they believed that fate would one day unite them. However, their journey was hindered by the presence of another man who shared the same faith as Ade, and Ode had to go to Jakarta to pursue his dreams. Will fate ultimately bring Ode and Ade together?
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.
Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.
Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the lowlands to earn enough money to get the farm back on its feet.
The mighty King of Babylon falls in love with a beautiful girl, ruthlessly tears her away from her lover, who is left wounded upon the ground, and carries her to his palace, where he seeks to will her affections, showering her with gifts of precious stones from his treasure chests. The heart-broken girl repulses all his overtures and dashes the jewels to the floor, and the infuriated monarch, incensed at her refusal to share his throne, orders her cast into the lions' den. An immense throng of his court followers are invited to witness the execution, but the expectant throng is dumbfounded when the ferocious beasts, instead of rending the victim to pieces, fawn upon her. A wave of superstitious awe sweeps through the gathering, who regard the incident as a miracle and believe that the girl is under the protection of the gods. The King's guards are overpowered and the girl released, and the monarch, by this time imbued with fear, pays homage to the maiden, who is restored to her lover.
A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.
Dida Ibsen, daughter of impoverished farmers, has, according to her father's will, to marry the main creditor. But she refuses and decides to live with a married man as a mistress, till he gets his divorce. In the town she opens a restaurant with the money of her wealthy lover, from whom she soon gets pregnant, but their dreams of marriage fail, his wife refuses the divorce. After a while, she decides to marry one of the regular guests at her restaurant, van Galen, who spent quite some time in the tropics and because of this is at the brink of madness. Shortly after the marriage his condition worsens and life becomes hell for Dida.
Judy Nichols (Leatrice Joy), a poor girl from Chicago, has decided she cannot marry without money. Her sweetheart, Ronald McKane, a struggling civil engineer (Edmund Burns), is encouraging her to join him in New York, but she only goes when she is bequeathed an inheritance. Unfortunately, the amount adds up to less than ten dollars a week. When she meets banker Sanford Gillespie (Robert Edeson), she convinces him to help McKane out financially. Once McKane has become a success, Judy marries him, but then he becomes interested in another woman. Judy seeks revenge and asks Gillespie to ruin her estranged husband, offering him anything he wants in return.
Malcolm McGregor joins the circus and falls in love with Olive Borden but his life changes when he finds out he is a titled Lord.
An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.
Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.