Nong Teng

England, 1813. In the middle of a long-awaited marriage proposal, Miss Estrogenia Talbot gets her period. Her suitor, Mr. Dickley, mistakes the blood for an injury, and it soon becomes clear that his expensive education has missed a spot.

A Saturday afternoon piano recital becomes a battlefield as a girl and her brother strive to become "real" musicians.

Unlike in the previous sequel of "Foolish Years"/"Zika's Dynasty" film series, Zika's and Milan's grandson became crazy for girls, having sex with them simultaneously in his apartment. Granddads are now worried for different reason, so they visit the doctor who gives them an advice to send their grandson to the country in order to use his strength appropriately.

A young man fueled by the arrogance of his opponent must win a game of blackjack at any cost, even if it means bending the rules.

In a besieged town, con artist Jia Yizheng poses as a government envoy to swindle Hu Dingbang, a local defense force commander. On the run, Jia is mistaken by Mayor Xie Qianli—a secret collaborator with Japanese forces—for the real envoy. Exploiting each other, they engage in a cutthroat power play, creating chaotic farce. Amidst absurd conflicts, Jia eventually abandons deceit to join the anti-Japanese resistance.

A shoe. A sharpie. A house party. A high school crush.

It is 1810 and fifteen year old Jane is about to meet her fiancée and get her period. Both for the first time. And at the same time.

In the early days of the Republic, legendary martial artist Ye Ruzhou suffers a severe injury, losing her memory and winding up in the impoverished alley of Minfu Lane. By a twist of fate, she crosses paths with the carefree Chen Awang, and the two fall for each other. When local tyrant Zheng Juehou intensifies his hold over the neighborhood, Ye Ruzhou rises to defend her new community. Her actions, however, draw unforeseen danger, and together with Chen Awang, she faces the challenge to protect Minfu Lane’s hard-won peace.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

In the backdrop of 1995 East London, not all is as it seems as Frenchy persuades his eccentric gang to steal from The Stanfields, an impregnable family run drug ring.

In Gilded Age New York, a rebellious woman plans to divorce her emotionally unstable husband. Consequently, a polite and civilized evening violently spirals into pandemonium. Some things never change-until they do.

Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.

A little girl sees her anxieties manifesting themselves during her sleep.

Struggling to decide whether to try for a baby with Sausage, Womb must face her fears when she encounters the Period Poo Genie.

1728. Heir to the throne, unruly princess Elizaveta has never wished for queendom. No doctor could explain a strange tinnitus in her ear, manifesting through sounds and music from our age. Even after doing everything she could to ruin her debut in high society, the king manages to arrange a marriage for her against her will.

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

Je ne te dirai plus oui, Endy

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.

2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.