Moment de gloire

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In the early stages of the KV Pandemic, a refugee camp has been opened somewhere in central America, and is taking in patients infected with Krippin Virus for treatment. As a young boy and girl watch from the outskirts of the camp, a military convoy arrives.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.

El Bosón de Higgs

Jerry runs into a dog pound (and right on top of a napping Spike) to escape a rather mangy-looking Tom. To avoid being ripped to shreds, Tom borrows the head of a nearby dog statue. This easily fools the dogs, but not Jerry, and Tom keeps losing his newfound head...

La niña más guapa de Aguilón

In Memoriam

Piedra angular

Tom ties up Spike and sneaks into the courtyard of the glamorous Toodles Galore with his bass, hoping to woo her with his song, much to the annoyance of a sleeping Jerry.

Jerry crashes a vase onto Tom's head, which gets Mammy to throw Tom out. Jerry at first revels in his freedom, but soon tires of this, and, under a flag of truce, hatches a plan with Tom.

Claus von Wagner - Theorie der feinen Menschen I

Epic story of betrayal, family and money. Basically a bit like The Sopranos. Only in live action. As if Shakespeare had completed an internship at Deutsche Bank and written a comedy out of despair. People born before 1977 simply replace Sopranos with Dallas.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Tom is playing with Jerry when a cute lady cat is delivered to Mammy for her to take care of. Tom is smitten at first sight.

The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.

Tom's new book on "how to catch a mouse" doesn't prove too helpful against Jerry; actually, Jerry seems to make better use of it than Tom.

Tom chases Jerry into a bottle of invisible ink, and the now-invisible Jerry proceeds to have fun torturing Tom.

Tom invites Toots to an elegant dinner. However, he's made the mistake of trying to put Jerry to work, as a serving boy, a corkscrew, and other tasks. Jerry puts up with a little of this, but mostly gets revenge on Tom.

Barbara Meter's first experimental film. From outside, the handheld camera surreptitiously peers at life in the living rooms of nocturnal Amsterdam. Shots of lamp shades, plants, chairs, faces and pets. A poodle stares out of the window.

A man and a woman converse wordlessly. An essential film dialogue. The accompanying sound was created by playing a chord from a Mahler symphony through two 'reel-to-reel' tape recorders and editing it.