Goo

Alex Jaffray, music columnist for Télématin, shares his passion for music, which allowed him, as a child, to communicate with notes rather than words. He is a sampler packed with music and jokes that allow him to travel from prehistory to Gilbert Montagné, from Daft Punk to Booba, via the Eagles, Ennio Morricone, and Maître Gims. Recorded on June 26, 2025, at the Théâtre des Sources in Saint-Amand-les-Eaux, in the Hauts-de-France region.

At just 24 years old, Imen ES, originally from Sevran, a city often seen as the archetype of a rough suburb and the birthplace of a raw hip-hop scene, has made her mark. Today, nothing can stop her. Starting out with the image of a "little sister," she has now transformed into a "queen," collaborating with renowned artists in France.

With the explosion of Hip Hop and Rap, three young black musicians battle for space. They cross paths with the São Bento gang, a singing and dancing group led by Thayde and DJ Hum. And also with musicians like Luni, Marisa Orth, Nazi, Fábrica Fagus and many people who play shows at the Mambembe theater.

A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

"Jesus Issues" is a visual album by Alex Bent + the Emptiness. It follows Alex Bent, a Canadian musician who discovers he is Jesus Christ, as he grapples with this revelation and its impact on his life.

Concert film capturing KOKIA's annual Christmas live she performs every December for the first time. This special concert took place and was filmed at Shinagawa Church's Gloria Chapel. This is also the first Christmas concert of KOKIA's to be held in a Church.

Concert film featuring KOKIA's 15th anniversary concert "COLOR OF LIFE" performed at Orchard Hall in spring 2013.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

Concert film and documentary from Mika Nakashima's First Tour 2003 performed on February 23, 2003 at Zepp Tokyo.

Live concert documentary that was filmed during her "Sokenbicha Natural Breeze 2001 Happy Live" tour. In addition to the live show, it contains extensive backstage and behind-the-scenes footage. It also includes live perfomrance fragments from the 6 venues throughout Japan of her first tour.

Concert film featuring Sakamoto Maaya's final performance from her Mitsubachi tour held on New Year's Eve, December 31, 2012 at Nakano Sunplaza.

Concert film containing Sakamoto Maaya's Live 2011 "in the silence" concert that took place in December 2011. The special thing about this concert was that she performed all songs included in her three concept albums "Easy Listening", "30 minutes night flight" and "Driving in the silence" in the exact sequence as they are included on the CDs.

Concert film featuring ARASHI's 2-day concert held on September 19 & 20, 2014 in Hawaii at Ko Olina Resort to commemorate the 15th anniversary of their career,

Concert film celebrating Otsuka Ai's 5th Anniversary since debut in the music industry. This was held at Osaka-jo Yagai Ongaku-do on September 10th, 2008.

The life and work of American photographer Harold Feinstein, whose work garnered critical and commercial success. In his 2015 obituary the New York Times declared him “one of the most accomplished recorders of the American experience.” Howard Greenberg says Feinstein “ occupies high ground in the pantheon of street photography” yet, most people, have never heard of him. A prodigious talent, Feinstein photographed life in all its forms, when and where he wished. Whether this was as a draftee in the Korean War, in a Bebop infused Manhattan loft or rural hippy enclave in upstate NY, Harold’s 35mm black and white photographs captured the essence of life with a with a uniquely humanist eye. The re-discovery of Feinstein’s vast and diverse body of work came in his final years and the film meets him then; in his early 80s and with a zen-like appreciation for the life he lived.

In February, Just Jam's event at The Barbican was cancelled at the last minute. It was an event that seemed to be yet another victim of the London authorities now notorious risk assessment procedure, Form 696.

Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. The sum of these parts corresponds to a singular opportunity of re-encounter with the thinking of these masters, even those that have already passed away.