Que mi nombre no se borre de la historia

The true historical account of the Illuminati, exposing the actual rituals of the secret society, and answering the age-old question of whether or not the order still exists.

An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.

A Documentary on the Making of 'Gore Vidal's Caligula'

Wir Weltmeister – ein Fußballmärchen

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.

Documentary film interviews leading African Americans on race, identity, and achievement.

RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.

Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."

Retrospective documentary on the making of the low-budget horror film Prison (1987)

Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.

Each year in the United States, over 200,000 prisoners face a parole board that must make the difficult judgment of whether these convicted criminals are ready to gain their freedom and return to society. This documentary focuses on three inmates in Louisiana, Nevada, and Massachusetts with a range of chilling crimes - a father's murder by his troubled son, a crime of passion by a respected NASA scientist, and a shooting/robbery on the streets of Las Vegas. Incorporating interviews of key characters with extensive testimony footage and reenactment sequences that explore the life and crime of the inmate, the film vividly examines the conflicting needs of the victim, the criminal, and the community while testing our own notions of justice.

Puentes de Salud is a volunteer-run clinic that provides free medical care to undocumented immigrants in south Philadelphia. Here, doctors and nurses work for free to serve people who would otherwise fall through the cracks. Clinica de Migrantes, a potent film by Maxim Pozdorovkin, follows the workers and patients of Puentes through months of routine care and growth. Along the way, the film puts a face to the millions of people who exist on the margins of society: people displaced from their homelands, separated from their families, unfamiliar with the customs, unable to obtain health insurance and terrified to come forward to seek medical help. Along with revealing these patient stories, Clinica is also a look at the heroic doctors and nurses who work pro bono to ensure these people receive care, offering a deeply moving look at the limitless potential of humanity.

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.

Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

Michael Grade tells a tale of television skullduggery and dirty dealings in the battle to win the Saturday night ratings crown.

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.