Jungle Belles of Borneo

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.

A picture of life in the West Australian capital of Perth in the mid 1960s. The social, business, sporting and other activities of an average Australian family in Perth are told through the eyes of the local newspapers.

The stair of steps appear checkerboard room. Conflict between a young man tries to fit the situation and the stickman ridicules him.

Two Swedish directors set off for Greece to find out how the local residents feel about the media images of the crisis.

Insightful new documentary in which Jeff Lieberman, Roy Frumkes, Matt Cimber and Joe Ellison share memories of the slime and grime of the grindhouse glory days!

Murray Sinclair's acceptance speech for an award in honor of his role as chair of the Truth and Reconciliation Commission of Canada, intercut with the testimonies of survivors of the Indian residential school system.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

A documentary about Captain Dale Black, a pilot who died in a famous airplane crash in Burbank, California which was covered by the LA Times. After coming back to life, Black shares his near death experience as the sole survivor of a non-survivable plane wreck.

Miguel Castañeda, a mexican scientist, tells the story of his stolen glory in his past as a migrant in the US, as well as all the obstacles he faces in his quest for justice upon his return to Mexico.

Ricardo Castro narrates the adventures of his eccentric childhood and the utopian dream that his family of 17 lived in a forest transformed into their home, in the outskirts of Mexico City. After years of building the perfect microcosm, a tragedy shatters their utopia, leaving a void in the family that seems irreparable. Ricardo flees to a secluded cabin near a dam, where he griefs in a turbulent and also magical way.

Chanting saved Domitila from a deadly fever. From that moment on, she started using her voice as a spiritual bridge to pray for the souls of the dead in her native town: San Miguel Pocitos, Puebla.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Dimitra Koutsiabasakos is 88 years old and lives alone in the village of Armatoliko in the Pindos mountain range, on the banks of the ancient river Acheloos, named after the mythical river god who fought Heracles for the favors of a woman and who could take on many forms. Dimitra’s home is located near the place where a great dam is being built and lies right in the middle of the area destined to become a lake after construction is completed. Dimitris, Costas and Petros decide to pay their grandmother a visit and make a documentary.

Ticket from Azrael

An alchemically treated lullaby to the end of cinema, featuring Charlie Chaplin and Buster Keaton.

A short documentary about traveling barbers and their job and their costumers in Tehran

Short documentary

A dynamic configuration of images and videos overlaid with musings on human existence.

Le Temps des assassins