Coy "Cannonball" Buckman and his blazing red Pontiac enter the Trans-America Grand Prix, an underground road race spanning the continent in which there are no rules, no speed limits and no heed for the law. En route, Buckman jockeys with an international ensemble of racers for a $100,000 purse. But there are none more important than Cade Redman, his direct competition for a guaranteed spot on the elite Modern Motors racing team.
A bad boy and a socialite girl hook-up.
Babi, a sheltered upper-class girl, and Hache, a reckless rebel obsessed with illegal motorcycle races, fall into a forbidden love that pulls them deeper into passion and risk.
After two years away, Hache returns to Barcelona seeking a fresh start. Falling for Gin while facing unresolved feelings for Babi, he must confront love, loss, and who he's becoming.
A member of an up and coming motorcycle racing team abandons his teamates to join a rival team. He ends up playing second fiddle to the champion of the new team. Not satisfied, and against the wishes of his new boss, he tries to beat the champion but fails. He leaves racing, eventually to return and reunite with his old friends in an attempt to win the Grand
Celine enlists her military pal, Vincent, for a robbery, banking on his expertise and unwavering loyalty. Vincent's motive? To reunite with the woman he's never stopped loving. however, the heist reveals a deeper yearning for reconnection.
Stepping straight out of an urban rendition of "Romy and Michelle", Donna and Ally are two black sex workers who have transformed the trials of a 12-year run from the law into a relentless pursuit of legendary status. Their world, encapsulated in raw humor and undying hope, promises non-stop laughter. Unraveling a narrative that is as authentic as it is captivating, they prove that there's no force mightier than a woman with a dream.
Le Sound Desoundeur
Koli, an honorable elderly man has just opened his business, a "Funeral Agency." Everything seems perfect, except for the fact that he unintentionally finds himself caught in the trap of a criminal gang. Together with his brother, whom he has employed in his agency, they will go through many trials, during which they meet Besi, believing him to be the right solution to their problem. However, in reality, this solution becomes a harm inflicted upon Besi, who, justifiably, will use them to rectify the wrongdoing committed against him. Friendship and enmity, danger and adventure, laughter and tears will accompany them on the crime-laden path of no return, in pursuit of the hope that the truth will prevail.
A rather liberal and pictorial interpretation of a number of Western musical forms with a considerable homosexual bias. Playing largely off the mood of different musical genres, it is a humorous commentary on musical association, and a celebration and critique of "gay identity."
Nice is a cheeky exploration of lesbian chic, otherwise known as the commodification of lesbian identity. A Kraft Dinner eating punker dyke gets tired of living in the margins and decides to get a lifestyle with a vengeance. Her journey to niceness features a hellish shopping spree and convincing makeover.
A rich young man falls in love with a poor girl but his mother disapproves of their relationship. Meanwhile, a local goon also falls in love with the same girl.
Helen Thomas is an unhappily married woman. While spending Christmas alone at home, she forms a brief yet passionate relationship with Tarik El Bez, a quiet immigrant worker who comes to fix her computer on a cold December night. Trapped in a small living room, the two loners find themselves engaging in a gentle struggle between intimacy and privacy.
Since the establishment of the bamboo weaving cooperative, the appearance of Zhulin Village has changed significantly. Visitors seeking to learn, inspectors, interviewers, and tourists placing orders have been coming in an endless stream. They eat all day and all month long, leading to frequent quarrels, fights, and cases of alcohol poisoning, causing the smart and capable cafeteria manager, Xiao Wangfa, to be driven to tears and indescribable suffering. Once, when Vice Secretary Guo of the Provincial Committee came to the village for an inspection, the lunch prepared for him was eaten by the leaders from the county. Xiao Wangfa had no choice but to serve simple home-cooked meals like mung bean porridge, steamed buns, and peanuts, anxiously preparing for punishment. Unexpectedly, Vice Secretary Guo was very pleased with the meal, and the villagers of Zhulin saw hope from this incident.
Weijia Ma was working on an animation film in Strasbourg when COVID descends on France. She very quickly fled to Lyon before returning to Shanghai.
Queer in Vancouver, lesbian in Calgary, gay in Whitehorse and dyke in… Is identity attached to location and community? Maureen Bradley, on the road with CBC’s Road Movies saw her identity being manipulated by the mainstream media.
The billionaire, Ardeshir Meshkin, looks for his lost grandson to grant him a fortune as heritage.
What I Remember is a melancholy recollection of two stories of first love. The narrator relates two anecdotes from her youth, seemingly unrelated, but linked by both their sweetness and tragedy. What does she remember about first love? Awkwardness, embarrassment, secrecy, and abandon. The moral of the story? Once you fall hard, you better duck.
Go Dyke! Go! is a humorous commentary on lesbian relationships in the context of children’s literature. Taking off from the popular children’s book Go Dog! Go! (by P.D. Eastman), this animation paints a sarcastic, pointed and comic picture of queer life in the 90s. Familiar pop imagery and everyday signifiers are a point of entry for a discussion of the patterns of serial monogamy and lesbian representation. Go Dyke! Go! plays with the genre of animation and poses a game of semiotics to deconstruct the tropes of children's books and heterosexism.