Nostalgia

At his 60th birthday Harry Doright is visited by a demon who claims his soul and the soul of his loved ones.

Middle-aged Jean-Marc invites the much younger Simon for dinner in his Paris apartment. After an initially warm meeting, they discover each other’s expectations, leading to an escalating tension throughout the evening…

Two men at a rural bus stop argue about what they think they see across the street, in the dark.

If luck is a lady, grief is a bitch. A young woman loses her mother and finds herself.

Día 8: El Día que Decidí Esperarte

Nahal breaks her arm in a fight at school. A man claims she hit someone while riding a motorcycle and fled the scene because she didn't have a permit. Nahal claims the CCTV will show that she hurt her arm at school.

A rookie filmmaker on a TV production set tries to survive a constraining environment where people don't respect her boundaries. During the wrap party, she begins to process what she experienced.

The thriller "Damned Memory" tells the story of Yoko (Leticia Takara) who lost her memory recently. Cintia (Mariusa Bregoli) tries to help her remember. Strange events occur in the house during the night, causing horror to friends and to all who enters there. Yoko has strange visions pounding in her mind and it says something inhabits her house beyond Cintia and her. Gradually, Yoko will recover, but what comes up are memories that must never be remembered.

Two young women convince each other they are under threat after accidentally photographing what they believe to be a concealed automatic rifle. Shot in drawn-out, static takes, Emma Doxiadi’s comical mystery comments on Greece’s ongoing refugee crisis in real time, pointing squarely at foolish knee-jerk reactions.

A chance encounter dangerously intertwines the lives of three people with differing perspectives on love.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

The story of a simple pair of shoes, and their owner.

A man loses his head since he lost a loved one.

Kensho Aoto reunites with Yoko Sudo, whom he had feelings for in junior high school, for the first time in 35 years. On the second floor window sill of a small apartment. Yoko was leaning against the window and looking up at the moon in the night sky, then Kensho was watching her from outside. Kensho “What were you thinking back then?” Yoko “...Something like a dream. Just about something like a dream.” The two of them are naturally attracted to each other for the first time at the age of 50. They eventually start talking about the future...

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.

Two gay-straight best friends find their close relationship upended when one gets a new girlfriend.

Hunter Carson receives a letter from his old Uncle Jack imploring him to visit in Spain. When Hunter arrives in Barcelona and Jack is nowhere to be found, the young man follows a series of clues that lead him to a surprising revelation about his family and future.

Lisa is fried in the heat of the sun. She is sick, miserable and out of water, but finds a lake to cool down in. A local sports-fisherman spies on her, but when Lisa drowns, he is stuck with a blond, naked "dead bait". What to do then?

A patient runs away from a mental asylum in Iran’s northern forests, and the units of two nearby police stations look for him on the roads.

Past and present are intricately entwined in this poetical reverie, in which a man (Derek de Lint) looks for his childhood memories in his grandparents' deserted country house. He meets himself at various ages in this house full of waning grandeur. The disappearance of his love Equiline plays an important role. In the voice-over, he tells the spectator about his motives for this trip to the 'memory of a memory'.