On the Divide

Examines how the Immigration and Naturalization Service decides who will be granted asylum in the United States. The applicant must have a "well-founded fear" of persecution in his or her home country. Despite true and terrifying stories of torture and mistreatment, it's often up to how well the translator presents the case and how sensitive are the ears of the asylum officer to decide a person's fate.

Documentary looking at the culture of three motels and their owners who remain untouched by homogenization and corporatism, located in Santa Fe, New Mexico; Florence, Arizona; and the semi-ghost town of Death Valley Junction, California. Everyone has an unusual story to tell.

An exposé unravels a history of abuse of suspects by the Chicago police.

Using over 100 years of archival footage, director Sierra Pettengill explores the history of the largest Confederate monument, Georgia’s Stone Mountain.

A tragi-comical drama, whose protagonist is no other than a young cock, unfolds in a Mumbai apartment just like thousands of others. Grabbed by an eccentric patriarch to serve as a distraction for the family cat, the chick survived, grew up and now imposes his troublesome presence on everyone, tyrannising the entire household

Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.

CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.

In the majestic tropical island of Palawan, three environmental crusaders confront murder, betrayal and political corruption in this thrilling documentary about land defenders battling to save and preserve paradise in the Philippines.

Filmmaker Nadine Natour turns her lens on her parents and her hometown, Appomattox, VA, to capture the story of her parents' emigration from Palestine to the United States. An uplifting, layered and often funny portrait of Palestinian Muslim immigrants Gehad and Sabah Natour, as the success of their popular grocery store defies xenophobia in the conservative rural town where the Civil War ended.

A rag-tag group of undocumented youth – Dreamers – deliberately get detained by Border Patrol in order to infiltrate a shadowy, for-profit detention center.

He calls himself Catman. Christian lives with his two cats Marmelade and Katjuscha. They are inseparable. As he yearns to become a father, he has his beloved Marmelade fertilized by an exclusive tomcat abroad.

A Mexican-American teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family’s breadwinner.

An educational film intended for children from 6 to 8 years of age. ‘We Grew A Frog, 1970’ tells the story of two schoolchildren, Lynne and Martin, who collect frog spawn from the village pond, take it to school, and there, in a tank, watch the spawn grow into frogs. The film shows in close-up the developmental stages of the spawn-to-frog process. This educational film features the pupils of Whatfield School in Suffolk. Headteacher, Gwen Dunn wrote and told the story.

O child, I know it can be bad. O child, sometimes you're be sad. O child, it can be true. O child, sometimes it can be all new. Here comes the sun.

Heïdi's Ice

Carlos Gesell, mi padre

The Foreigner Story: Feels Like the Very First Time

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.