Yeh Ballet

The film tells the story of Matt, a male hockey player who dies in a game and comes back to life as Sara Bryan, a female figure skater due to an accident made by an angel that caused the hockey player to die. Both share the dream of competing in the Winter Olympics. The male hockey player specified that if he returned to earth, he wanted to have a chance to win an Olympic Gold medal on ice leaving the detail that he wanted to be on the hockey team implied. With time running short Matt has to get skating lessons from Sara's one-time rival if he wishes to earn gold.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

When hot shot, Wall Street dealmaker Jai thinks of putting some pleasure into his 48 hour business trip to Mumbai, Sahil, his young, music-producer friend, drops everything, including his reckless boyfriend Alex, to help him execute the perfect getaway. Hiking the hills and canyons of Maharashtra, amidst half-attempted conversations and sudden silences, business calls and old jokes, the friends discover there is more than just time-zones keeping them apart. Things take another turn when Alex shows up with a new male-companion at his side, throwing up old conflicts and bringing unanswered questions to the fore.

Kartik & Aman’s relationship is tested when one of them has a fling which leads to a domestic spat. Kartik’s parents’ relationship breaks apart when Damodar and Vasudha have a tiff. Will these two couples ever be able to resolve their differences? Will their relationships stand the test of time? Kuch Sapney Apne is a sensitive heartwarming film about relationships, queer or not, and what happens when uncomfortable truths challenge relationships.

Two contemporary and creative music teachers, Mary D'Cruz and Manoj who provide a glimpse of the rich culture and refinement of music and theater to students who are driven by an unimaginative educational system in the name of Math, Science and Technology.

A story of belonging and acceptance, identity and family told through courageous, queer women choose to embrace love that exists beyond their personal beliefs and social moralities.

Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.

After arresting a drug dealer during an undercover operation, police officer Yeshwant Lohar is framed for murder and imprisoned by his corrupt supervisor, Salim Shaikh, who is involved in distributing narcotics. Determined to prove her husband's innocence, wife Ragini resists Salim's attempts to intimidate or bribe her. Salim then releases false photos of Ragini having an affair with police officer Atul, shaking Yeshwant's faith in his wife.

Two feuding neighbouring families are brought together to celebrate the wedding anniversary of Vishnupratap Singh (Vikram Gokhale) and his wife (Farida Jalal), much to the dislike of Rudra Pratap (Sharad Kapoor). During this get together Abhayendra Singh (Fardeen Khan) falls in love with Mangala Solanki (Richa Pallod). Abhayendra comes to know of the background of the two families' feud, and makes attempts to reconcile the two families - with disastrous results.

A prosperous young Indian man falls in love with his servant, a widow with the dream of becoming a fashion designer.

Mansi, played by Aruna Irani the elder sister has to take up professional singing after her father's death and to support the family. The film focuses mainly on the female characters and traces how the younger sibling Bansi played by Shabana Azmi regains her identity.

Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).

Devata

We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…

Duped and sold to a brothel, a young woman fearlessly reclaims her power, using underworld connections to preside over the world she was once a pawn in.