Waning Moon

In a dead-end room lives a slave of the system, addicted to the computer mouse and a reality show that never ends. Obsessed with an illusion, his dream is to go to the paradise that he has seen in a TV commercial...with just a flick of a finger.

Rachel is desperate to be seen. Not the way her terminally ill father sees her, and not the way her Church Support Group sees her. Not even the way her mentor, Kathy sees her. Really seen. Newly sober and ready to start her life again, Rachel (Caroline Levien) finds herself back with her father, Glen (Nicholas Hope) and languishing in the role of his primary carer. Lonely and overlooked, Rachel turns to her online persona, 'J@de' and the world of chat-room camming as a place to see and be seen. But Rachel's escapism cannot keep the real world at bay forever. As Glen's illness deteriorates, Rachel's online identity pushes up against her own, bringing her face to face with the ultimate act of exposure.

In the near future, a young animator is offered what should be her dream job, but, when she discovers the truth of the modern 'creative' process, she must make a hard choice about her passion for film.

There is a rumor that a private LEE reported the irrational incident in his platoon.

Never assume it's just the house settling.

In a dystopian future, where one ex-government scientist holds the key to ending the nation's famine, only a government investigator can stand in his way. His secret research is threatened when a neighbour reports his suspicious behaviour.

Not long after John Chambers and his family arrive at their new home in a small country town of Pennsylvania, John begins to experience sleep paralysis. Lying there paralyzed, trapped within his own nightmare, other-worldly beings visit John. They are entities which exist in the darkest shadows of the night and can only be seen out of the corner of one's eye. These encounters begin to haunt John, transforming to complete terror as he discovers the entities' sole purpose... the abduction of his seven year old son. In the end, John will uncover the town's horrific secret, a portal on his land, and make one last attempt to save his son before the shadow people permanently take him away to their world.

A neighborhood boy might have the solution to his problems, though. For two silver candlesticks, he promises to give Conrad a rare, vicious, growling and cunning animal with supernatural abilities, which supposedly was coveted in the past by Egyptian pharaohs, Borneo pirates and even Napoleon Bonaparte himself. Eventually the trade is made, Conrad gets the creature.

A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.

A dark and violent murder involving a couple and an estranged ex-boyfriend.

A mafia member is late on repaying his debts, The Contractor comes to collect

Trapped in a bloody room with masked captors, Lieutenant Fletcher seems to have no options for survival. Soon it becomes clear that his attackers, a domestic terrorist group, are interrogating Fletcher for his knowledge of an upcoming FBI raid. Desperate, he takes advice from three distinct sections of his psyche. Fletcher must decide which one to listen to in order to free himself before he runs out of time. Based on the Stephen King story, "In the Deathroom."

A renegade Vulcan with a startling secret hijacks the U.S.S. Enterprise in order to find a mythical planet.

Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran's scheme...and he's been dead for seventy-eight years.

After Saturn XVI crashes back to Earth, ex-astronaut Arthur struggles with an infection. Richard and his friends are blind to it's origin but his victims won't be. The Doorway is open.

It's just a plain brown package, but everyone wants it. A classic MacGuffin in an existential Noir about role, identity, and desire.

De Camera

Na Câmara da Morte (In the Deathroom) is a short film based on Stephen King's short story of the same name. Armando Costa (Gabriel Alsan), a Brazilian journalist stationed in Colombia, is kidnapped by a local militia. During a violent interrogation and various acts of torture, Pablo Escobar (Uriel Martínez) tries to extract information from Armando, while his allies plan his rescue.

Paul Rivers, an ailing mathematician lovelessly married to an English émigré; Christina Peck, an upper-middle-class suburban housewife and mother of two girls; and Jack Jordan, a born-again ex-con, are brought together by a terrible accident that changes their lives.

When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.