The Love Charm

Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

On a golden afternoon, wildly curious young Alice tumbles into the burrow and enters the merry, madcap world of Wonderland full of whimsical escapades.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

Herman discovers he's the new lord of Munster Hall in England. The family sails to Britain, where they receive a tepid welcome from Lady Effigy and Freddie Munster, who throws tantrums because he wasn't named Lord Munster. An on-board romance had blossomed between Marilyn and Roger, but on land Marilyn discovers Roger's family holds a longstanding grudge against the Munsters.

The Grimm brothers Wilhelm and Jacob, known for their literary works in the nineteenth century, have their lives dramatized. Wilhelm fights to write something entertaining amongst the sea of dry, non-fiction books they write and he sets about collecting oral-tradition fairy tales to put into print. Their life story is countered with reenactments of three of their stories including "The Dancing Princess," "The Cobbler and the Elves" and "The Singing Bone."

When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio, is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish.

Leaving the safety of their nursery behind, Wendy, Michael and John follow Peter Pan to a magical world where childhood lasts forever. But while in Neverland, the kids must face Captain Hook and foil his attempts to get rid of Peter for good.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

An ancient tribe attempts to sacrifice Sanna as an offering to the Sun god to save their tribe from dinosaurs. Tara, a young man from another tribe, saves Sanna and takes her along with him.

Desiring control of the kingdom, evil wizard Pendragon devises a cunning machination to usurp the throne. By abducting and forcing Princess Elaine to marry him, Pendragon will coerce the king into abdicating his power. When Pendragon sends a giant to kidnap Elaine, a simple farmer named Jack witnesses the abduction, and bravely slays the beast. Undeterred, Pendragon has more power and creatures at his disposal.

A British wartime aviator who cheats death must argue for his life before a celestial court, hoping to prolong his fledgling romance with an American girl.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

A nameless thief falls in love with the Caliph of Bagdad's daughter. The Caliph will give her hand to the suitor that returns with the rarest treasure after seven moons. The thief sets off on a magical journey while, unbeknownst to him, another suitor, the Prince of the Mongols, is not playing by the rules.

Using a futuristic submarine, pirates kidnap a young couple, torpedo a passenger ship, travel under the sea to salvage bullion, then make their escape by taking to the air.

The classic tale of Dante's journey through hell, loosely adapted from the Divine Comedy and inspired by the illustrations of Gustav Doré. This historically important film stands as the first feature from Italy and the oldest fully-surviving feature in the world, and boasts beautiful sets and special effects that stand above other cinema of the era.

Based on a painting by M. Vrubel, a poem by M. Lermontov and the play "Faust" by Goethe. This film is the first part of the trilogy 'Everlasting Variations'. The author attempts to expose the atmosphere of early 20th century Russian romanticism, which Vrubel's works so brilliantly illustrate.

A mix of spectacle, animation and dance, the film reveals an early delight in the potential for creative fun with film form. Its director, Walter R. Booth had been described as making British films which attempted to out-Méliès Méliès.