Kusama's Self-Obliteration

Short documentary on the Antwerp Ford Motor Company plant.

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

Feature film.

Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.

Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

The story of a boy who suddenly lost his sight as a result of cancer. He has a hard time getting along with new people and spends all his time with horses. One day, the chairman of the local society of the blind calls him and offers him the main role in a play based on Maeterlinck’s play “The Blind,” where all the roles are played by blind people, and the play takes place in the forest.

In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.

María Domínguez. La palabra libre

The founding of the first English colony at Jamestown, Virginia, in 1612 and the many problems that confronted the struggling colonists are depicted.

About the tragic fate of the Estonian artist Julo Sooster and his work.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

This short documentary focuses on protests surrounding a homophobic sign that hung behind the bar of Barney's Beanery in West Hollywood for many years.

Over twists, presses, and wash-and-goes, filmmaker Cheryl Dunye joins other clients and hairstylist DiAna DiAna in her South Carolina salon to discuss the current impact of AIDS on Blacks in the south, and what has changed and stayed the same since DiAna was featured in a seminal short video by Ellen Spiro thirty years ago. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.

An intimate conversation between two guys...

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

Twenty-five films from twenty-five European countries by twenty-five European directors.