The Good News

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

A teenager, Christina, loses her friends in the forest. Looking for them she finds the bodies of three drowned kids on the shore of a lagoon. On summer holiday, deep in the woods, three kids, cousins, are playing around a lake when they find a drowned young woman drifting in the water. Games, lies and rituals unfolding into a circular time in which death loses its ultimacy. What is real and what is a mirage? Who is dreaming and who is being dreamed?

Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.

This and The Hot Month of August, both made in Greece, were acquired by DORIS WISHMAN for release in the United States. However, she somehow or other lost the dialogue sheets needed for dubbing the films into English. With the original dialogue a mystery, and not understanding Greek in the first place, the Grand Dame of Sexploitation simply re-invented the entire plot blissfully dubbing it away without any clue as to what was really being said, and then adding some steamy sex scenes with her own anonymous adulterers to liven things up.

Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

Dirty girls, masturbation, incest, lesbian accusations - sexual biographies mixed up with home-movie-like footage.

Exuberant rhythms are created for the eyes in this nostalgic study of the single film frame, by cutting, pasting, and painting clear and photographed 16mm film frames. Fleeting shapes in lush, spattered color flicker and dance to big band beats.

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

Documentary short following French-Vietnamese artist Marcelino Truong on his journey back to Vietnam for the research on his 'roman graphique' 'Une si jolie petite guerre' (A Lovely Little War). Truong looks back to when his family lived in Saigon from 1961 to 1963 when his father served as a translator to then president of the Republic of Vietnam Ngo Dinh Diem. The film follows Truong as he ruminates over memories, photos and films, and also conducts a host of interviews with Vietnamese relatives and officials to present a personal and long awaited Vietnamese perspective to the war.

Tegan falls once more under the influence of the Mara and directs the TARDIS to the planet Manussa. There, the Federator's son Lon and his mother Tanha are preparing for a ceremony to celebrate the banishment of the Mara five hundred years earlier. The Mara takes control of Lon and uses him and Tegan to obtain from Ambril, the Director of Historical Research, the 'Great Crystal' - the large blue stone that originally brought it into being by focusing energy from the minds of the planet's one-time inhabitants. The Mara now plans to use the crystal during the ceremony to bring about its return to corporeal existence.

A mysterious, misfit family readies a feast for a group of visiting outlanders. As they shuffle through ritualistic preparations, shadows reveal each creature- one menacing, one wounded, and one worn, stewards of an old tradition.

A new orphanage opens near Jill and Joy's house, and a boy named Pekki runs away from there. Pekki ends up living in Jill and Joy's cabin and tells the girls how bleak life is in the orphanage under the strict command of the headmistress Minna Pinna.

Explores the rise of modern slavery in the UK, giving a portrait of the dark world of forced labor through the eyes of the people involved.

Language, dance, music and Potowatomi history are woven into a wise weft by a self-taught young director in this beautiful homage to the teachings and cultural heritage of the director’s father.

Self-portrait. In 1998 our family came under armed attack. We were able to escape and we fled Grozny. We have been silent about it since.

Married nudists Anne and Tom work in real estate but Tom is fired for his lifestyle. Unfortunately, as he was ready to close a big major deal, Tom goes to his favorite nudist camp to take his mind off his problems and discovers that the client is also a member. Together, they scheme to get Anne and their boss to visit in order to make the deal.

The leader of a small kingdom falls in love with a beautiful American girl, only to be shocked when he finds out that she's a nudist.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

In Backcomb the demonic is unleashed on domestic space. It takes the form of two of femininity’s mildest tokens, hair and embroidery, that serve here in the creation of a sexualised surrealist experience. Within the claustrophobic space of a table-lay, a forceful and erectile mass of hair comes alive and slithers across its surface. The hair probes into vessels and punches through the cloth till finally order overturns and all smashes to the ground.