Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.
Ditadura Reservada
Mostashregh
Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.
This remastered, rare, local production from the 80s is an unfiltered look into the mind and heart of the world-renowned folk artist Howard Finster. Walking and talking in his Paradise Garden, Finster gives insight into his visions, Faith, and artwork. He even sings and plays the banjo. Dr. George Pullen interviews Finster. And in this case, the word "interview" means that Dr. Pullen just lets Finster talk. And it's pure gold.
Habermas - Philosoph und Europäer
A dynamic configuration of images and videos overlaid with musings on human existence.
For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
An exclusive interview with Death as he goes about his everyday business.
The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.
Johan van der Keuken explains, "Some fifteen filmmakers were asked to make a film series in a relay style for a very popular variety program on Dutch television: each new program was to start from the last image of the previous program, developing the story from that image. It was necessary to work according to codes of the crime thriller. I 'sabotaged' these codes, following a close-up of a pistol, inherited from my predecessor, by a series of comic observations of my cat, accompanied by a text on the need to innovate methods of expression and communication in cinema."
A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.
A portrait exploring the enduring craft of wood canvas canoe building, and the quiet philosophy it inspires. "The Shape of Cedar" is both a celebration of craftsmanship, and and a guide to a more intentional way of moving through the world.
Michael Sheen faces the interview of a lifetime with The Assembly, a group of autistic, neurodivergent, and learning disabled people. Expect revelation, chaos, and a lot of laughs.
Alan Watts talks about our perception of the world, and how we derive metaphysics from it. Watts recorded this video in 1971 as a pilot for a public television series in the United States.
Alan Watts discusses the Western dichotomy of work and play, and explains that when you take the play out of work life becomes joyless drudgery.
Chile 73' o la historia que se repite
Recuerdos del futuro: Raúl Pellegrín