Roots

Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.

‘The Tattooist’ follows the dark obsessions of a tattooist whose studio is acclaimed for its exceptional and intricately crafted tattoos. Those who receive his prized masterpiece are drugged, imprisoned, and then forced to fight their fears in a race against the clock to escape. Can they escape or will they become victims of The Tattooist?

Xiao Hei, a little carp, jumps over the bridge pier and gets cheers from his four friends. His grandma says that he is capable only if he can jump over the Dragon Gate like his ancestors did.

По пути

Edgar impulsively invites his boss, Mr. Markham, to his home for dinner when his boss compliments him for giving coffee money to a down and out man. At the train station Edgar intervenes, keeping another man from beating a young man named Frankie, and Edgar takes Frankie home with him, even though the stranger warns Edgar that the young man is nothing but trouble.

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

The majority of the story occurs in the office of Dr. Harper, a psychiatrist, where a man named Lester Billings talks to the doctor about the "murders" of his three young children.

With the spectre of COVID-19 looming, the old ways of waking and burying the dead are fractured and desolate in this curious tale of two bachelor brothers, Pádraig and Éamonn, from Achill Island, living and dying under the shadow of the Coronavirus.

M.A.M.O.N. (Monitor Against Mexicans Over Nationwide) is a satirical fantasy sci-fi short film that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico - US border.

Shila met Carlo one night, on a bus. Shila is a collector. She collects stories of scars. Shila is always longing for the existence of a wound. This is a trip Carlo can never forget.

Christian is on family vacation with his wife and son. One day he meets Luca, an old friend, at the bar on the beach. This sudden emergence from the past bothers Christian. Luca asks Christian to restart a game interrupted many years ago...

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

Embers and Dust focuses on the perspective of a young farm boy and his family, and how the night of Orson Welles' dramatic broadcast of War of The Worlds unfolded for them.

Seven-year-old Filip admires his older brother Sebastian most of all. They fool around, watch movies and play football together. One evening Filip happens to see something unexpected between Sebastian and his best friend and Filip doesn't know how to handle it.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

'Lost Boy' is an ambitious sci-fi concept heavily influenced by the American action classics and Japanese samurai films. It instantly captures viewers with its highly visual and unparalleled sci-fi world.

"The Cailleach was dependent on this one thing... every hundred years she must get back to the water and immerse herself so that she might become young again." This film is an interpretation of fragments of the ancient myth of the "cailleach", old hag, otherworld female, mother earth, sovereignty queen, or witch. Told using a large scale puppet and actors moving through real landscape.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In a new, predatory ice age, two brothers search for a place to call home.