One Million Yen Girl

A web drama about the all-too-relatable woes and wonders of love - unrequited, forbidden, and otherwise.

Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.

Yerma is desperate to have children, so when a psychic advises her to look outside her marriage to conceive, what can she say but yes?

L'últim ball de Carmen Amaya

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

A cynical claymation artist gets a special camera that changes the way he sees the world.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

Taryn finds herself gaining much-desired popularity when the charismatic new girl at school claims her as a “breath sister," teaching Taryn about the Choking Game. Hiding it from her ever-present mother, best friend, and teachers, Taryn sees choking as a way to build self-control and grab an easy high. But, as the stakes are raised through each subsequent ‘flight’, Taryn has no idea that she is actually putting her life in extreme danger.

As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

The Blood Countess and her maid take us on a wild hunt for blood and secrets from times gone by. On their adventurous journey, they desperately search for the precious lifeblood while also uncovering the dark history of their ancestors. But suddenly a mysterious book appears that poses a threat to their vampire kingdom. As they are pursued by their vegetarian nephew, his psychotherapist, two vampirologists and a tenacious police inspector and his assistant, things spiral out of control.

Six regal Indigenous women relish in an opulent feast. This dazzling and sumptuous fantasia is a vivid celebration of their majesty and power and a signal of new beginnings.

When something unexpected happens in Oliverio’s family, all he wants to do is walk away. He settles on a deckchair by the pool and decides there is no reason to move. Life swirls around him, revealing secrets and presenting new challenges. Through moments of death, excrement and basic physics, Oliverio learns that some truths cannot be ignored.

Howard Mitchell is a responsible young man who will soon be graduating from high school. He works at Resnick's Pharmacy to be able to earn enough money to put himself through college. But in part because of the life lessons he learns from Mr. Resnick through Mr. Resnick's somewhat cynical observations of the customers that come into the pharmacy, Howard is intrigued by an offer from George, his best friend, to tour Canada following their graduation instead of going directly into a post-secondary institution. This trip would not be a vacation, but rather an opportunity to see what life has to offer by meeting people from different parts of the country, while they work odd jobs along the way. This idea goes against the sensibilities of Howard's parents and Howard's girlfriend, Mary, who see this trip as just another impetuously stupid idea by flaky George. Howard has to try and reconcile all these competing forces in his life. —Huggo

Recently released from prison, French chef Jacques pursues an obsession -- to leave his past behind and work for the great British chef Victor Ellwood. He knows Victor had an affair with his mother and may even be his dad. Working for iron-fisted Victor is back-breaking, but his existence is softened by the presence of a curious girl living in the downstairs flat. As he falls in love with her, he realises she not only has an aversion to restaurants, but food of all kinds. Is her eating disorder a force too resilient for anything, even love to cure?

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

A surreal portray of the abandoned Russian settlement Pyramiden on Spitsbergen from the point of view of a traveller lost in space and time.