From a school band from Essen to an internationally celebrated thrash metal legend: To mark Kreator's 40th anniversary in 2024, frontman Mille Petrozza plans to re-record his greatest hits at the famous Hansa Studios in Berlin together with greats from the metal scene such as Metallica, Sepultura, Slayer, Anthrax and many more. With exclusive private archive material, the story of Kreator is told for the first time.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Gay women living in the Deep South of the United States share stories of the bigotry, sexism, intimidation, and racism that confronts them in a part of the country known for its culture of Christian conservatism.
In the century when we invented aviation, when we invented cinema, in an age when we can move more and see more than any other point in history why have we become so watchful and so performative? I Am A Spy is a film that observes this watchfulness.
By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac's Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
After Marta had decided to become a nun at a young age, filmmaker Maud Nycander followed her and her family for ten years.
Portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal and Benin.
"Touches on elemental images; air, water, (and snow), earth and fire (and smoke) all come into it." - MT
Afro-Cubans played a leading role in the fight to free Cuba from Spanish domination; as part of that struggle, slavery was abolished. Nevertheless, as African descendants began to achieve a semblance of social and economic parity, the plantocracy, backed up by the US army, sought to undo their gains. Determined to resist, veterans of the Mambi army formed the Party of Independents of Color, gaining wide popular support and ultimately threatening the domination of the white Cuban rulers. Their response was savage, and 6,000 Afro-Cubans were massacred; until this film, these events have been shrouded in silence.
A documentary revealing the under-appreciated, highly demanding world of Broadway Understudies and Standbys. Three undiscovered performers at various points in their careers get the chance of a lifetime. Their struggle is put into perspective through never-before-heard stories from celebrities who themselves were once Understudies or Standbys.
For decades, American touring ice shows dominated family entertainment with their dazzling production and variety acts. This documentary honors them through interviews and archival footage, and depicts one skater's quest to keep this history alive.
A document of the Riot Grrrl and Queercore scene in the 1990s, the film has been screened at film festivals around the world, written about in zines and academic books and has been included in the curriculum of a number of university courses.
In 1993, Bikini Kill toured the UK with grrrl associates Huggy Bear. Lucy Thane made a documentary about the trip, also featuring appearances from the Raincoats, Sister George, and Skinned Teen.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.
The children of immigration, here to stay, are the new Americans. How we fare in welcoming them will determine the nature of this country in the 21st century and beyond. The International High School is a New York City public school dedicated to serving newly arrived immigrant teenagers, with more than 300 students speaking two-dozen languages from 50 countries. The students strive to master English, adapt to families they haven't seen in years, confront the universal trials of adolescence, and search for a future they can claim as their own. In "I Learn America," five resilient immigrant teenagers come together over a year at the International High School at Lafayette and struggle to learn their new land. Through these five vibrant young people, their stories and struggles, and their willingness to open their lives and share them with us, we "learn America."
In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.