What?

In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

A top-hatted man gets dressed in the morning, and starts to yawn, causing his housekeeper to yawn as well. He sets off down the street where he proceeds to make others yawn as well, including a shop keeper, passers-by, and a small group of soldiers.

A talented youth has compounded a wonderful fluid, a little of which he applies to the mirror in his room, and when he looks into it his image comes to life and comes out of the frame and imitates his every action. As soon as he rubs the fluid off the mirror his double disappears. When the servant come in, a little of the fluid is again rubbed on the mirror, and he has the same experience, his reflection stepping out and doing stunts, thereby scaring the poor fellow almost to death. The inventor of the fluid then takes the mirror with him and goes out on the street.

The film is quite sophisticated for it's time with a relatively large number of scene changes as we follow Max's misadventures. It also features a close-up shot to show his reactions to the effects of the cigar he is smoking.

The setting is a postoffice. A well-to-do lady has brought her maid to lick the stamps. A man, the maid's love interest, is taken by the sight and, as soon as he can, attempts to kiss her. Unfortunately the lovers forgot about the sticky residue…

Early slapstick short from Louis Feuillade involving runaways, except that, instead of it being a runaway horse (see Griffith's THE CURTAIN POLE for an example), it is a cartful of what appear to be hundred-pound pumpkins that get away, rushing hither and yon, down sewers, up chimneys, pursued by the drayer, a couple of other people and a very unwilling donkey.

This short film consists of a crazy old colonel being asked to entertain party guests about his exploits of daring. However, being a totally insane old coot, he runs amok acting out his war-time heroics--smashing and throwing everything in the room!

John, who loves the bottle a little too much, is one of a group of sightseers. Too drunk to follow the party, the reeling drunkard remains on the site of a ruin where he starts having hallucinations.

The title is vital, since the bulk of the action consists of a well-dressed man magically producing a series of items to furnish a bare room, culminating in his summoning up a charming lady to share his meal. Hearing the guards approaching, the man reverses the process, ending with a bare room when the two men enter.

An artist settles down on a folding stool right in the middle of the street and starts playing. Soon enough, objects of all sorts are thrown from the windows, without interrupting the musician’s inspiration… until a little girl shows up.

A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.

A man in civil clothes, and three men in army uniforms are inspecting seven women to be recruited.

When the entire kitchen staff falls asleep from exhaustion, a dwarf appears and animates various objects via stop motion -- including their hands, which he cuts off while they snooze -- to do their work.

A nightmare, sketched out upon a living blackboard.

For a short comedy of rare merit this subject is unexcelled. A chalk line series of grotesque caricatures enacted in the land of puppets. A fickle maiden gets herself into numerous embarrassing complications with her host of admirers, but the artist with lightning rapidity overcomes all obstacles and brings the maiden out victorious.

The mishaps of a man who steps into the street wearing his brand-new white suit, and who instantly encounters every conceivable insult to his suit's integrity: a coalman bumps into him, a waiter spills food on him, a painter walks into him.

A family goes to a photographer. The photographer pushes the boy around, and no one seems to care. The boy gets his revenge.

At the beginning of this film two women come onstage dressed in Oriental fashion. They present a shadow play theatre.