Konto 55: Mankind's Weaknesses

The sequel to the Magical Mirai 2013 concert, made to promote Hatsune Miku -Project DIVA- F 2nd and the Magical Mirai 2014 Official Album. It featured a concert and an exhibition at both venues.

A Crypton VOCALOID concert, and the successor to the 2013, 2014, and 2015 Magical Mirai concerts. It was held in the Makuhari Messe International Exhibition Hall in Chiba, Japan. The main visual was illustrated by LENA[A-7]. The concert was accompanied by a three-day exhibition which included toys, artwork, and a life-size Miku statue designed after the main visual of the concert.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

The story contrasts the life of two doctors, former classmates and now both assistant professors at Naniwa University Hospital in Osaka. The brilliant and ambitious surgeon Goro Zaizen stops at nothing to rise to a position of eminence and authority, while the friendly Shuji Satomi busies himself with his patients and research.

Scream Girls 2

Young men get together and dream of becoming a successful band, while a young woman (Masako Izumi) dreams of becoming a successful manager. Inspired by her brother, a Jazz Guitarist (Shoji Yokouchi) and the successful band The Spiders, they form a new band called "Young & Fresh" and work hard to make it.

An inaccuracy-riddled behind-the-scenes drama about the stormy partnership of the famed comedy team that came out of burlesque to conquer radio, movies and television.

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

In Idemitsu's seminal women's liberationist video, the image of a tampon swirling in a toilet bowl slowly appears, as the artist speaks about the troubling roles, responsibilities and expectations of women in a clinical tone. Minimal in composition, What a Woman Made is a candid critique of the treatment of women in Japanese society.

A collaborative performance, Image of Seeing--Seeing investigates the meaning of television watching. This work was created for television broadcast on the Nippon Broadcasting Corporation's program "Hyōgo no jikan" (Hyōgo Time).

A member of the collective Video Hiroba, Morihiro Wada also used video in his solo projects. In The Recognition Construction, each subject entering the frame is identified by a narrator, while the video camera slowly rotates. As the rotation speeds up the identification becomes more difficult, and the objects ultimately become "indecipherable."

Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place.

An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

How the Japanese process American pop culture and make it their own -- a mind-bending odyssey through cultural mixing.

An aspiring hairdresser becomes the infatuation of a tricophilic man who sells hair extensions to nearby salons. The source is the corpse of a girl whose corpse continues to grow beautiful, voluminous, black hair that comes alive, either driving the extension user insane or killing them.

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.