This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.
For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.
A collage film documenting dissociation, sexual assault, and all the times I didn't have words for myself.
Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
Pigerne på Halmtorvet
This documentary offers a rare look at domestic abuse through the concept of coercive control. With exceptional access to hearings in Poitiers, Colmar, and Paris, Karine Dusfour captures the first French trials to address this form of psychological violence. The film shows how coercive control traps partners through constant monitoring, a hidden terror affecting hundreds of thousands of women and children in France.
The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".
Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
The four adult heroes and heroines of the film, who were selected in a casting call posted on TV, speak candidly on camera from the very beginning of their memories. Through individual stories, they describe their childhoods, family backgrounds, life at school, and how they spent their free time. The stories complement each other and are intertwined; we see emotions and hear things that reveal the horrific DNA of domestic violence. The documentary addresses the issue of abuse with an emphasis on the entire social environment of the victims and the societal underpinnings. Typical of domestic violence is that victims often hide it within themselves; they do not talk about it, and sometimes they do not even admit it. But in the documentary, they were determined to speak out.
A documentary about street-involved women sex workers in San Diego, California who were murdered in the 1980s and 1990s. The documentary highlights police negligence and outright abuse.
The inspirational story of teenage singing sensation Mutlu Kaya as she makes a remarkable journey from gunshot victim to fearless survivor. As she battles to heal her haunting voice, she campaigns for women's right in Turkey and beyond. Mutlu means 'happy' in Turkish.
Their job is stealing, their lives a cruel dead end. Director Jon Alpert takes his cameras undercover for this hard-hitting look at men who live by theft and suffer addiction. Focusing on a year in the lives of three professional criminals, this gritty profile—which includes hidden-camera footage of actual thefts—exposes the "petty" crimes that are paralyzing America.
When Tehran hosts visiting foreign dignitaries, the local authorities clean up the city’s urban image through the controversial process of ‘urban beautification’. Those who are deemed unsavoury are rounded up – drug users, prostitutes and the homeless who sleep in cardboard boxes on sidewalks and who they would rather remain unseen. When these very important people leave, the men are released but the women are kept as wards of the state. An animated documentary made using hand-crafted cardboard miniatures and the voices of women to tell their story, one that has been five years in the making. A story that shows how the face of a city can change, but what is underneath often does not.
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.
Ocupação Mulheres Mirabal