The Equalizer

Kate & Allie is an American television situation comedy which ran from March 19, 1984, to May 22, 1989. Kate & Allie first aired on CBS as a midseason replacement series and only six episodes were initially commissioned, but the favorable response from critics and viewers alike easily convinced CBS to commit to a full season in the fall of 1984. The series was created by Sherry Coben.

Anya, abducted from wealth, endures life in a brothel. Xinniang, once a child beggar, blossoms into a refined lady. Anna, cast away as a jinx, returns to upend their lives. As secrets unravel, love and kinship are tested—will they rise above fate?

Gloria Sheppard is an intuitive LAPD homicide detective who juggles her demanding personal and professional lives while raising two sons with the help of her troubled younger brother, Davey.

A single mother enters a world of twisted mind games when she begins an affair with her psychiatrist boss while secretly befriending his mysterious wife.

When Buy More computer geek Chuck Bartowski unwittingly downloads a database of government information and deadly fighting skills into his head, he becomes the CIA's most vital secret. This sets Chuck on a path to become a full-fledged spy.

CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.

A character drama based on the 2001 Elmore Leonard short story "Fire in the Hole." Leonard's tale centers around U.S. Marshal Raylan Givens of Kentucky, a quiet but strong-willed official of the law. The tale covers his high-stakes job, as well as his strained relationships with his ex-wife and father.

The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.

They say being a woman is all a business and maybe it's true. We are complicated, complex and we look at life differently, exactly what Carolina Rivera captures in 'On the ropes', the new Netflix series that 'unmasks' life's struggles and puts the subject of motherhood on the agenda.

An American comedy-drama television series.

Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?

Laura Diamond, a brilliant NYPD homicide detective balances her “Columbo” day job with a crazy family life that includes two unruly twin boys and a soon-to-be ex-husband — also a cop — who just can't seem to sign the divorce papers. Between cleaning up after her boys and cleaning up the streets, she’d be the first to admit she has her “hot mess” moments in this hilariously authentic look at what it really means to be a “working mom” today. Somehow, she makes it all work with the help of her sexy and understanding partner, and things becomes even more complicated when her husband, ironically, becomes her boss at the precinct. For Laura, every day is a high-wire balancing act.

Alice is an American sitcom television series that ran from August 31, 1976 to March 19, 1985 on CBS. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start her life over again, and finds a job working at a roadside diner on the outskirts of Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner.

After 14 years devoid of romance, a struggling movie producer and single mom faces the unexpected arrival of 4 men into her life—an author, an actor, a CEO, and a younger man—who might just revive her dormant desire for love.

The highs and lows of a mother and her two daughters as they move from a small town in New Mexico to New York City.

A poor, widowed woman desperate to support her 7-year-old daughter and a wealthy business executive with a sick mother enter into a contract marriage.

Cha Jung Han is a detective for a special investigation team. He is busy with investigating violent cases including drugs and gangs, but one day he takes in his niece, Eun Ae and struggles to raise her. Meanwhile, Han Ye Seul is a single mother who raises her 5-years-old son alone. She is Cha Jung-Han’s first love.

Mom P.I. is a 1990-92 Canadian television comedy-drama series starring Rosemary Dunsmore, Stuart Margolin, Emily Perkins, and Shane Meier. Dunsmore plays eternal optimist Sally Sullivan, a recently widowed mother of two supporting her family as a waitress in a working-class diner, who talks her way into a job as assistant to grumpy, cynical private eye Bernie Fox, played by The Rockford Files' Margolin. Head writer for the show was Chris Haddock, who later created the much grittier Da Vinci's Inquest and Intelligence, also for the CBC.

Swapped at birth, Pichaa and Pan grow up in starkly different worlds before being returned to their biological families. Years later, Pichaa is reunited with Patin—the boy she once believed was her brother—and their renewed connection deepens into forbidden love, forcing them to confront the painful consequences of fate, family, and identity.

The year is 2022. It is an era of chaos, half a century after the government announced the coexistence of humans and kaijins. Aoi Izumi, a young human rights activist calling for the elimination of discrimination, meets a man named Kotaro Minami, the one called "Black Sun," who is a candidate for the next Creation King.