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Live at Stellar Ball (Tokyo) 11-13 Oct. 2014

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Starting on the last hour of London's daylight on 16th June 2007, Daft Punk perform their recently renovated Alive 2007 tour.

In 1988, a video game geek and failed musician is recruited by a retired battle general to defeat an evil beast and his gang in order to restore the freedom of Moon Valley's citizens in this music driven fantasy action adventure.

CD duration is 72:46. Live From Brixton Academy 8 April 2011. Approx DVD running time: 137 minutes. DVD9/Picture format 16:9 / NTSC Region 0 Audio: Stereo & 5.1 Surround Sound Comes in a digibook.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

A live performed on August 5, 2011 at NHK 101 Studio in Shibuya, Tokyo. Yellow Magic Orchestra, who has almost never done a studio live, played "RYDEEN", "FIRECRACKER", "COSMIC SURFIN", and others, in front of about 1,000 spectators selected by lottery. Keigo Oyamada, Tomohiko Gondo, and Christian Fennesz participated as support members.

A domestic live tour in 1981 when YMO released two masterpiece albums, "BGM" and "Technodelic". A live concert filmed at the Shinjuku Koma Theater, "WINTER LIVE 1981" focuses on songs from "BGM" and "Technodelic" and symbolizing the mid-term YMO catalogue along with artistic performing art. The audio is also remastered, giving the viewer a more realistic feel.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Staged as the opening event of the seventh edition of STARMUS Festival and supported by ESET Digital Security, ‘Bridge From The Future’ was Jarre’s most ambitious live production to date. A sweeping sci-fi soundscape with stunning visual storytelling, choreographed light and laser displays, a 400-drone ballet, fireworks, and an architectural stage, designed by Jarre, that framed the iconic UFO Bridge with twin 30-metre towers. The concert also marked an historic first-time collaboration between Jarre and Queen guitarist Sir Brian May, who joined him on stage for a powerful new arrangement of Dvořák’s ‘New World Symphony’ as well as newly adapted works ‘Bratislava Time’ and ‘Rendez-vous Bratislava’. Jarre was accompanied by longtime collaborator Claude Samard and rising British artist Adiescar Chase, with contributions from the Slovak Philharmonic Orchestra and a 19-piece chorus from the Slovak Philharmonic Choir.

Five inmates recite poetry while time keeps passing by.

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.

Metamorfosi is a veritable dance ballet on the rocks, performed by a great climber, Patrick Berhault, set on the picturesque French Riviera and the Lingurian coast. Berhault's movements, in the sea, in caves, on rocks and precipices, are extremely difficult but are above all executed to give the movement an aesthetic value. Matemorfosi is the story of a cycle without words, told with gestures and music. Climber Monica Dalmasso also participates in the film.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.