Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.
In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.
何以为家
Martin calls his family who lives in the United States. He has not seen his parents in over a year. Since the start of the coronavirus pandemic, he has been in Canada. In this documentary, Martin explores isolation, pain, memories, and the importance of family through photomontage.
Tired of my city, I imagine the arrival of a cowboy in Lisbon.
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
A journalist receives 32 new photos of 9/11 from a camera found in the rubble of the World Trade Center — and uses clues in each frame to ID the photographer.
This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.
just some pictures of a dog at the bar.
A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
A photographer struggling with memory loss discovers her pictures may indicate something sinister is hitting close to home.
Strange voice talking about its favorite food.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.
When Molly receives evidence that her boyfriend might be cheating on her, she is forced to decide whether he really loves her.
Céu, Floresta, Aldeia Cidade
Days after running away from home, Pablo roams the streets with nothing but a backpack. One night he comes across Regina, who knows the streets by heart, the two end up bonding over photographs, as they both use them as a means of escape.
Aşkın Sesi: Aşık Selime Ciziri Anma Töreni
Asker Ciziri
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.