In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.
After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
In this two-part Rashomon-esque mini-series, a TV journalist investigates a rich politician and his family after a dead body is found on their property and they all have different story about the day of the incident.
Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.
Ruth, an elderly lady with dementia, becomes lost within her own home. As she tries to find answers, she ends up losing herself further, confusing reality with memories of her past self.
Three children are accidentally transformed into fish after consuming a potion made by an eccentric scientist. The kids end up in the sea, with one problem: they must find and drink the antidote within 48 hours, or forever remain as fish.
Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?
Staging
Why won't the light turn off?
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security.
Mother and daughter, separated and alone, mourn the death of their respective husband and father. After this, they begin to hear mysterious noises and enter a progressive spiral of terror and paranoia. The different ways of facing loss, anxiety, pain and lack of communication.
Chedly
Jack and Mary (and their dog, Rags) are walking down the street when a talking car stops them and begins lecturing them about traffic safety.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
Karin and Peter have been married for almost 15 years. From the outside, they seem happy, but behind the closed doors of the house there is a repression. Then the dog Orion steps into their lives ...
Kaj is a stubborn man with a great deal of pride. The former chef lives in a council flat. He has wasted his life and is now on a council job training scheme for the long-term unemployed, where he refuses to let the foreman of the activation project boss him about. When Kaj's daughter, with whom he has not been in touch for nineteen years, moves into the same council estate on the run from her violent husband, a change comes over Kaj. His initial instinct is to avoid her, but by chance he ends up helping to look after Jonas, her six-year-old son. For the first time for years Kaj need not survive on his own devices. Now he has responsibilities and a family of his own.
A family spending their holiday at the Costa Brava. The older brother's belief system will be disrupted when an act of kindness results in a little tragedy. This will lead him into a routine where refusing to make decisions could lead to greater tragedies.
Darma is a visceral and unflinching short film that confronts the dark realities of abuse and power. With its brutal and blood-soaked sequences, the film delivers gripping action that heightens adrenaline, supported by dynamic and precise camera movements. At its core, Darma explores sexual abuse committed by those in positions of authority, individuals who not only perpetrate violence but also manipulate systems to conceal their crimes. The narrative also reflects on the power of media in shaping public opinion, and how such coverage can deeply affect the psychological state of survivors. With a runtime of 14 minutes, Darma is both urgent and impactful, pulling the audience into an uncomfortable yet necessary confrontation with truth, silence, and justice.
In Madrid, Spain, during a rainy day, Dorita, an elegant and magnetic mature woman, meets Noa, an attractive young man.