Centre Pompidou: Ceci n'est pas un musée

An aging, reclusive painter shares stories about his life and brushes with death.

This educational film illustrates various textures as students create different kinds of textured art by using ordinary objects and materials.

In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.

Hinter dem Vorhang: Das Geheimnis Vermeer

A documentarian strikes up an odd friendship with reclusive 80 year old outsider artist Al Carbee, whose strange Barbie-doll photography gains acclaim and interest over the course of the project's multi-year history. Far beyond a portrait of an eccentric, Magical Universe is about wonder, friendship, and the transcendent power of creativity

Art Critic Waldemar Januzczak presents this documentary which details french artist Toulouse-Lautrec's life.

British surrealist Leonora Carrington was a key part of the surrealist movement during its heyday in Paris and yet, until recently, remained a virtual unknown in the country of her birth. This film explores her dramatic evolution from British debutante to artist in exile, living out her days in Mexico City, and takes us on a journey into her darkly strange and cinematic world.

He is a major figure in the pop art movement; one of the most popular and influential artists of his generation. The motifs and colors of his canvasses have been widely reproduced, and are now part of the 20th century art pantheon, changing the way we view the world. Hockney is typically seen as an artist who loves life, a good time, glamour and sex. The highly personal and emotional side of his work is often overlooked, much like the intensity and individuality he has shown in each of his successive periods and styles. Through images, anecdotes, and detailed pictorial analysis, this documentary highlights how the renowned painter defies classification and remains mysterious in many ways: an intense, profound, and infinitely passionate artist.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

NYC based photographer, Khalik Allah, travels to Jamaica to connect with family and document the streets. This is his synopsis.

‘de waanzin van het detail’ paints a portrait of the contemporary painter sam dillemans. To dillemans, who lives in borgerhout, van gogh, picasso, rubens or goya are not painters of yesterday but of today. They inspire him on a daily basis and at the same time their crushing genius also depresses him. In addition to being a very talented artist sam dillemans is so a gifted storyteller. While working on a self-portrait in his studio, he talks about his life and his work, how it relates to cultural history, the sacrifices painting demands and how people can learn to interpret paintings.

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.

Charissa King O'Brien's intimate short documentary captures this pivotal collaboration between two influential artists, as world-renowned painter Riva Lehrer completes a compelling portrait of Alison Bechdel ("Dykes to Watch Out For," "Are You My Mother," "Fun Home") over the course of two years, yielding a highly satisfying work of psychological insight

The true story of one boy's journey as a victim of Nazi oppression. While exposed to some of the most horrific events of the Holocaust, Misa was able to endure the atrocities of genocide through his love of art and music.

Lyonel Feininger's work is as individual and unmistakable as he is himself. As a classical modernist artist, he is difficult to categorize. He lived and worked in Germany for a long time. He began his career as a caricaturist, later became known as a painter and headed the printing workshops at the Bauhaus. His work cannot be classified as cubism or expressionism. The film visits places that inspired him, such as Paris, the villages around Weimar and, above all, the Baltic coast - many of which are reflected in Feininger's work and make the development of his oeuvre comprehensible.

Jo; or The Act of Riding a Bike is Zefier's third film.

African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.

Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be found in private collections throughout the United States and Europe. She is a national treasure and yet, she is virtually unknown. Filmmaker Larry Wessel is determined to change that with his nine year labor of love.

Contemporary artist Koki Tanaka sets up a booth at a Los Angeles flea market to sell palm fronds. "I tried to bring something very extreme into the flea-market context. I picked the palm fronds because they are the most useless things in California – they’re what we have to sweep away after a windy day. It was an experiment in registering people’s reaction to a fundamental question about the value of objects. And I was referencing two historical pieces: David Hammons’s Bliz-aard Ball Sale [1983], where he sold snowballs during winter in New York; and a Japanese manga called Munou no Hito [A Worthless Person, 1985], in which the protagonist sells stones by the riverside – stones being sold alongside stones. So both shared quite similar ideas." - Koki Tanaka

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.