Centre Pompidou: Ceci n'est pas un musée

Ladislav Jurovatý - majster drôtu a železa

Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

In subarctic Norway in a storm the sun projects shadows of clouds on a mountain forest.

Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing voice. At the age of 27 he got a contract at the Scala in Milan, and his already considerable popularity skyrocketed thanks to the invention of the gramophone. He sold millions of records, and garnered international acclaim. In 1903 he moved to New York to perform at the prestigious Metropolitan Opera, in the role of Radames. But his riches and fame attracted the attention of the Mafia, who started blackmailing him. He felt trapped by his fame and died at just 48 years old. Biographer Francesco Canessa, the music critic Jürgen Kesting and the composer Micha Hamel explain the ups and downs of the man behind the timeless Italian voice.

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Pyhä

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

In 2013 an oil painting attributed to Leonardo da Vinci appears in Lugano, the portrait of Isabella d'Este, Marchioness of Mantua. The owner of the painting, Emidia Cecchini, is about to sell it for 140 million euros when Italy accuses her of illegal export. The painting is confiscated, but Switzerland does not release it.

This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.

A poem about mania written by Omar Zefier. His second film.

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Documentary about the Rembrandt Association. In the 19th century, a lot of Dutch art disappeared abroad, before the Rembrandt Association stood up in 1883 to put a stop to it. Today, 140 years later, the Association still helps determine what art lovers see in Dutch museums. In their crowning year, the Association faces a difficult choice: will they make the largest contribution in their history to the purchase of Rembrandt's De Vaandeldrager? The amount of 175 million needed for the painting is causing discussion. Is this money well spent?

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. PETER SUTCLIFFE preview WHITEHOUSE LP TRACKS 3 total sex side A SUTCLIFFE JUGEND interview & music WHITEHOUSE studio action 2 HERMANN NITSCH a study AUSCWITZ / BIRKENAU 1941-82

Jo; or The Act of Riding a Bike is Zefier's third film.

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.