Tochka

After the battle of Sudoměř the Hussite teaching spreads through the whole country and people start leaving their homes to help build the fortification of Tábor. Prague citizens request help against the army of Zikmund. The Hussite army with Jan Žižka in the lead make their way towards Prague. They fortify themselves on the mountain Vítkov and engage in a bloody battle with Zikmund’s huge army.

A painter lives with his wife and four children in a studio. Due to creative frustrations and the irritation of admirers and hangers-on he becomes increasingly reclusive, finally sealing himself away in the attic. Based on an Albert Camus story.

This meta student film illustrates the trials and tribulations of being a film student.

A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.

Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.

Richard Rhys, a painter in Victorian London, is the prime suspect in the Jack the Ripper murders. In a chance encounter he meets a wealthy reformer and socialite, Victoria Thornton, married to the richest man in England. Their passionate love affair results in a pregnancy and possible scandal and ruin. It is a story of redemption and true love.

SUMMER. HEAT. SWEAT. CHILDREN'S LAUGHTER. ALL BECOMES DARKNESS.

Brief aan mijn vader

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

An artist’s final painting becomes the backdrop of a tense dinner date in which a couple debate the legitimacy of wine tasting.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

In 1948, the Trouths are facing no income and the hottest summer on record. When their estranged son inexplicably returns, the apartment is full again - but is it big enough for the gambling, trauma, and substantial life insurance policy that comes in his wake?

A visceral journey through dysphoria in the internet age.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

A young artist, Sofia - a photographer, wanders the streets at night with her camera. She's led by a mysterious graffiti artist through his written poetry on street walls and embarks upon a spiritual quest.

Human, Tears, Art

A teen wanders through the secret, fleeting moments of the night toward adulthood. The angst and raw emotion of the night's delicate connections linger as he crosses paths with a mysterious girl.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

A man, boarded up in his room during the apocalypse, is haunted by his anxieties and the nightmares of the ones he watched suffer. Until a voice on the radio begins speaking to him.