Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.
Live in concert at the Mabuhay Gardens in San Francisco + bonus material.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
The portrait of Zdenko Franjić, a record producer of alternative rock bands in ex-Yugoslavia.
Filmed for television at the legendary SO36 Club in Berlin, 1983.
The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.
TV Party Music Video - (Live @ Target SF 1981) Rise Above - Thirsty & Miserable -Depression - American Waste - Fan greeting in Bologna, Italy 1979 - Revenge (San Francisco 8-20-80) - Jealous Again - Chuck (mock) interviews Dez & Henry - Rise Above (repeat)
Bloodied But Unbowed chronicles Bloodshot Records' 12 years (and counting) in the trenches of independent music. It's a world where it's easier to take down an M-1 Abrams tank with pub dart than get noticed and appreciated by the mainstream. Here you'll find the highs, the lows, the humiliations and the triumphs. It's an inspirational tale of the ages for anyone foolish enough to want to start a record label.
In 1983, now legendary post-punk icons Mission of Burma performed two highly regarded farewell shows at the Bradford Hotel in Boston. At the very peak of their power, the band was calling it quits due to guitarist Roger Miller's worsening tinnitus (ringing in the ears), no doubt brought on by their pummeling live performances. Those who were there recall a highly emotional evening: the band and audience were deeply connected through the enormity of what was about to be lost, which inspired Burma to rip through their sets with a passion that was both brutal and bittersweet.
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
In 1978 the Undertones released Teenage Kicks, one of the most perfect and enduring pop records of all time - an adolescent anthem that spoke to teenagers all over the globe. It was the first in a string of hits that created a timeless soundtrack to growing up, making the Undertones one of punk rock's most prolific and popular bands.
Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music.
The first-ever official live document from brilliant 70s art-punks Wire is finally released on this CD/DVD set, which captures their 1979 performance on then-West Germany's "Rockpalast" show.
Founded by Superchunk's Mac McCaughan and Laura Ballance in 1989, North Carolina’s Merge Records quickly grew to become one of America’s essential indie labels. From supporting their fertile local indie rock scene to launching international stars, for 25 years Merge has carved out uncompromising success by staying true to its independent roots. Google Play is proud to celebrate 25 years of Merge Records with this exclusive documentary and series of covers of Merge classics by Merge acts including Superchunk, the Mountain Goats, Telekinesis and more.
Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."
A compilation of all the Sub Pop videos from the grunge era. Tracks include Nirvana's 'In Bloom' and Mark Lanegan's 'Ugly Sunday'.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."