025 Sunset Red

An animated short film from 1987 that deals with the incarceration of a man in a dark cell from where there is no escape.

In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.

This lavishly embellished, comically operetta CGI fantasy story takes place in the Indian Ocean, where a flock of “piranha birds” has settled on the back of an octopus. When an octopus is starved, it feeds on birds on its back, but because it is already threatened with extinction, they decide to send a bottle across the sea with a call for help.

A futuristic cruise ship with a crew of robots is ready to take its first flight. A boy follows his curious dog on board of the ship, but then the ship takes off. The robots sees the boy as a blind passenger and try to get him off the flying ship.

A six minute short made in New York City by Jeffrey Noyes Scher.

A young boy’s infatuation with flight is the subject of Vláčil’s poetic, prize-winning early short, made for the Czechoslovak Army’s film unit.

Set in a city both past and present, on a deserted street where only the distant sounds of life blow by. The Hunger Artist stands alone, locked in his cage. Once famous and adored by the crowds, he now performs alone.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Aboard a small escape pod, four survivors try to discover what caused the destruction of their spaceship.

When her shift uncovers the death of a fellow miner under mysterious circumstances, a hard-working miner of a planet mining colony is forced to choose between escape or defying management orders and fight for the safety of her family.

During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

After her mother's death, Kim finds solace in wearing her mother's old sweater. However, the sweater begins to itch and even hurt her, but she still can't bring herself to take it off.

At her father’s request, Coline returns to her childhood bedroom to sort through her belongings. The various objects she finds remind her of childhood memories that stick to her and that she will finally accept to leave behind…

Coup d'feu

A natural history fantasy film, following the dramatic lifecycle of the wild salmon in human form, with narration by Marianne Faithfull.

In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.

Fascinating -- and unintentionally funny -- experiments at Austria's famed Institute for Experimental Psychology involve a subject who for several weeks wears special glasses that reverse right and left and up and down. Unexpectedly, these macabre and somehow surrealist experiments reveal that our perception of these aspects of vision is not of an optical nature and cannot be relied on, while the unfortunate, Kafkaesque subject stubbornly struggles through a morass of continuous failures.