I Do Not Want To Smoke

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Por Diabos

The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Bellend Productions'(TM) 1X Nominated Documentary "The Man The Myth The Bellend" Directed by Rhys Walkington is the first ever Bellend Productions(TM) Film and is a documentary about the Life of "The Man The Myth The Bellend."

A film about news, life and death. Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?

Documents the life and work of cult SF author and philosopher Jeff Lint, creator of some of the strangest and most inventive works of the 20th century. Featuring clips from Lint's books, cartoons, music, comics and films, the movie follows Lint's life from the days of vintage pulp, psychedelia and his disastrous scripts for Star Trek and Patton. Newly discovered archive footage and recordings of Lint himself, and commentary by those who knew and read him, results in a compelling portrait of the creator of Clowns and Insects, Jelly Result, The Stupid Conversation, the Caterer comic, and Catty and the Major, the scariest kids' cartoon ever aired.

In Sheep's Clothing chronicles the friendship of Ryan Guevara and Jake Winter, the foundation of Bush Wagon Productions, and Ryan's slippery descent into the unknown horrors of life after he's attacked by a mysterious force.

At first glance, what could be more inanimate – and therefore anti-cinematic – than the mineral kingdom? Nora Štrbová challenges this declaration, turning it on its head and making stones into a highly kinetic subject. In this humorous essay film shot in 35 mm, stones are finally given a voice as they observe us, judge us and, above all… put up with us.

Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.

THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.

A faux documentary about the ongoing social, political and economical crisis in Brazil, where the government cuts the colors of Rio de Janeiro, turning the city black and white.

Chad and Angus (Tony Hale & Adam Pally) are pool store employees who share a passion for cosplay and faithfully reenacting major battles from Marvel comic book canon. This documentary examines the coworkers' devoted yet contentious relationship.

In honor of Homer's journey to the Hall of Fame, MLB all-stars and Springfield locals look back at the greatest corporate softball game ever played.

In 1950 in the USA ten communist filmmakers were jailed. The same year Frank Hardy faced a long prison sentence in Australia for writing a novel. An experiment in documentary form working in the border region between narrative/fiction and documentary/fact.

On October 14th, 2018, William Banks was locked inside a walk-in freezer for 45 minutes. The film examines William’s trauma from the incident and his quest for revenge on People’s Pops.