Funeral

A struggling father uses a bedtime story to impart an important life lesson to his son.

In a dystopian future where the world has devolved into a pre-industrial state, the Purists rule supreme. The Purists blame technology for all the world’s past ills, and have deemed it to be inherently sinful. A handful of Companions, human-like artificial intelligence, have managed to make it through the apocalypse. They survive the only way they can –by hiding in plain sight.

A journey of passion, a bitter night. Xiao Cheng ask for help to resolve a big trouble, the guy with whom he spend the afternoon is dead on his bed from the effect of a drug, not something the Chinese authorities look kindly on.

Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.

When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.

An obsessive mother, on the verge of a nervous breakdown. A father, carefully blotted out from all the family photos and a dreadful child-psychiatrist with unconventional methods - This is the summary of young Hazel's life, secretly attracted to boys...

Weasel, villain of fables, known for sucking out eggs and leaving shells intact. Weasel, a film concerned with man, boy, and rope.

A teen boy's obsession with his childhood best friend reaches a peak when he discovers she's been spending time with the other member of their trio.

Fifteen-year-old Alice has always been a good Catholic, but when an innocent AOL chat turns unexpectedly racy, she finds herself suddenly obsessed with sex.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

Mired in a concussed haze, an ex-NFLer struggles to adjust to life off the field during Super Bowl Sunday.

A man tries to kill himself in a motel room.

The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.

BARK is a portrait of a seemingly simple argument between two teenage girls that curdles into a surreal, psychological struggle.

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.

Nine years ago, high school girl Jeongmin suggested a bizarre plan to her same-sex lover, Yoonseong, that they have a child who looks like both of them. Jeongmin’s wedding, scheduled in a few days, is just the start of that scheme.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.