Religiously themed early Soviet propaganda film in Azerbaijan against Islam. Unlike earlier propaganda films in the region, this was actually made by an (nearly) all Azeri cast and crew and directed by an Azeri filmmaker that would go on to be famous amongst his own people, despite his early collusion with the new ruling government. At the center of the film is a greed Molla (holy man in Azeri Islam) who has been cheating one of the local peasants for years out of all types of goods and services, and then delighting over his success in an very un-religious, specifically un-Islamic, way. Once the Revolution takes place and the Bolsheviks arrive, the peasant is empowered and realizes the deception on the part of the Molla and takes him to the newly set up "People's Court," where is finds justice and the Molla is punished.
Czech immigrant Vesna arrives in Italy and is forced into casual prostitution by poverty. The encounter with a kind construction worker could help change her situation.
After a white couple inexplicably gives birth to a black child, the purest bonds of trust, friendship, and love are put to the ultimate test.
An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.
John is agoraphobic and hasn't left his apartment in over two years. After his therapist quits on him, a new therapist challenges him to leave his apartment in the next thirty days.
The film is about relations between different people.
El chantaje de un hombre solo
Pyongyang, DPRK: Two ex-child gymnasts find themselves working together as directors in charge of the production of "mass games" (aka mass gymnastics, a North Korean specialty). Their joint area of responsibility is the youngest children's performance. However the two directors have different personalities and priorities. Their co-operation is less than friction-free as the pressure leading up to the performance increases. The two find that they work no better together as adults than they did as children. However there is still a bit of a spark between them. Will they manage to finish the production in time for the grand opening in front of the country's Leader? Are the children up for the challenge? Will any romance come out of all this....
Three stories where optimism triumphs: a television director finds a new mother for his children, an old couple of artists deal with a sentimental crisis and an illustrator whose father is an alcoholic fights to educate his brother.
Dunduriņš
Pigeon's Milk
Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
As the countdown begins for the end of the world, Lu Araullo tries to make amends with his mother and his ex-boyfriend. With only a few hours left, will he get the closure he needs?
Shea, a young artist, is fighting for habitants of a trailer parking to have access to essential public commodities.
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
In a desperate attempt to reach Europe and crouched before an airstrip in Cameroon, a six-year-old boy and his older sister wait to sneak into the holds of an airplane. Not too far away, an environmental activist contemplates the terrible image of an elephant, dead and fangless. Not only do you have to fight against poaching, but you will also have to meet the problems of your newly arrived daughter from Spain. Thousands of kilometers to the north, in Melilla, a group of civil guards prepare to face the furious crowd of sub-Saharan people who have begun the assault on the fence. Three stories linked by a central theme, in which none of its protagonists know that their destinies are doomed to cross and that their lives will no longer be the same.
Juan spends his days sad and helpless ever since his wife Angelica contracted COVID-19.
A Roman musician meets a Heroin-addicted girl, helps her, falls in love with her and ends up getting addicted to Heroin himself.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Natasha is a lonely, middle-aged admin employee at the zoo who still lives at home with her mother. One day her life is turned upside down when she discovers she has grown a tail…