March of The Living

Filmmaker Peter Hegedus embarks on the challenging journey to make Sorella's Story, an immersive 360° film set on the beaches of Latvia in December 1941, when thousands of Jewish Women and children perished at the hands of Nazi collaborators. Along the way Peter teams up with Jewish-Australian 90-year-old Ethel Davies whose family was also killed in the same massacre.

The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.

One man's foresight and opposition to the Nazis destructive forces and years later the trials and tribulations of his Grandson who would rise above his tragic childhood to share his Grandfather's courageous story.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.

A moving meditation on guilt and reconciliation, Bloodlines explores the unwritten cost of war and genocide on future generations - of both victims and perpetrators. As Bettina Goering, grandniece of Nazi war criminal Herman Goering, searches for a way to come to terms with her heritage, she meets Ruth Rich, a painter and daughter of Holocaust survivors. At a time when seemingly irreconcilable divisions between groups are tearing the world apart, this deeply hopeful film is a beautiful testament to the power of dialogue and post-conflict reconciliation.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

This documentary tells three stories about Jewish properties stored during the Second World War, their Jewish owners and their non-Jewish custodians.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

A documentary about America's knowledge of the Holocaust during the Second World War dares to ask, ""Could the Jews of Europe have been saved?"

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

In the summer of 2001, 75-year-old Mathi Schenk made his last trip to Poland, following in the footsteps of his own past. He lives in the eastern cantons of Belgium, which were forcibly united with the German Reich after the invasion of German troops in May 1940. Those who did not volunteer for the Wehrmacht were – like Mathi Schenk – sent to war as forced soldiers for Germany. When the Warsaw Uprising broke out in August 1944, the 18-year-old arrived in the Polish capital and was assigned to the notorious SS Dirlewanger Brigade. During the 63 days of bitter fighting, which cost the lives of more than 200,000 Poles, he witnessed unimaginable atrocities against the people of Warsaw. While fleeing the Red Army, Polish farmers found the young soldier wounded in a ditch. Despite his German uniform, they hid him from the Russians in their village.

Holocaust survivors describe their experiences being interred at the Natzweiler-Struthof concentration camp.

Art Spiegelman's graphic novel Maus (1980-91) was the first comic to address the Shoah in mainstream culture and is still considered a landmark in art history.

Soviet documentary shot right after liberation of Auschwitz. It was used as evidence by the Soviet prosecution at the Nuremberg trials. In 2014, footage shot by cameraman Aleksandr Vorontsov, as well as his interview given in 1986 for German television, were included in Andre Singer’s documentary “Night Will Fall”.

Carl Lutz – der vergessene Held

The animate body as a medium for the celebration of life is on display as a young Jane Korman dances with her parents and their friends, all of whom are Holocaust survivors, in an Australian forest.