Darbaan

A young photographer from Mumbai uses her mind to play games with a prominent Hindu rightist leader.

Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.

Zafar's obsession with Salma causes the destruction of her family and her mental breakdown. Years later, fate unites her sons, Iqbal and Sunny, and they set out to save Salma from Zafar's captivity.

A gambler turns into a cricket bookie banking on his sixth sense for the game. But his urge to make quick money pushes him into match-fixing and he loses control of his life and love.

A man arrives in London and forms a band. However, he begins to feel jealous when his childhood friend becomes more popular overnight, putting his fame at stake.

Kishorilal wants an Indian bride for his westernised son. He gets him engaged to Ganga, his friend's daughter, and brings her to USA. But she shares a deeper bond with Arjun, Kishorilal's foster son.

Arvind’s life comes crashing down when his wife Madhu falls into a coma and is put on life support. Will situations hold him back, or will he be able to save his wife with the hope of a life together?

A lyrical story of lost childhood, against the powerful backdrop of child slavery and human trafficking. It is a heart-rending but inspiring story of a nine-year old street-smart girl, Jhalki, in search of her seven-year old brother, Babu, who is suddenly thrown into an inhuman world of child labor with no respite from a terminally gloomy, dark and depressing workplace. Armed with an intimate folk tale of a tireless sparrow, her own ingenious efforts and her charming presence of mind, Jhalki manages her search and eventually free her brother, along with thousands of other enslaved children caught in this insidious practice, affecting over 200 million children worldwide.

Satyaprakash is an honest security officer who works at the docks in a small town in India, and lives with his parents, Mr. and Mrs. Vishambernath; wife, Janki, a blind daughter, Munni; and an unmarried sister, Juhi. He hopes to make enough money to get Munni's vision back and ensure that Juhi gets married and the rest of the family are looked after well. Before that could happen, he is killed. When the Police come to his house looking for his killer, Janki, unknowingly shields the killer, but when she finds out the truth, she tells them about his location, but the killer flees.

A singer and dancer par excellence, Lata lives a wealthy lifestyle with her dad, Choudhry Goverdhanlal Patwardhanlal and mom. Her parents would like her to get married to wealthy Shekhar, who she initially approves of. Shortly thereafter she meets with Vasant Kumar and both fall in love with each other. When Shekhar finds out that Lata does not want to marry him, he is enraged and starts to investigate Vasant's background. He finds out that Vasant's real name is Ashok, who is a writer for a magazine 'Bahar, has a relationship with a woman, and also has a son.

Rakesh (Mithun Chakraborty), a small town boy, has been torn away from his family due to several crisis. His family consisted of his father(Aloknath), mother(Tanuja) and sister(Dipa Sahi). Terror strikes in the family after Aloknath has been sent to jail in fraudulent cases. He himself is on the run due to police threats. In due course of his time, Rakesh meets Lakshmi(Mandakini) and love blossoms. Even though Rakesh tries being truthful, He enters a different world. Will Rakesh unite with his long lost family and lead a happy life with the love of his life?

Kerala-based George Nair is an efficiency expert who travels to Pune to provide a report on downsizing. He is met with the firm's Vice-President, Malathy Chandran, and must come up with a plan to let go a number of employees. Both spend time together and Malathy confides how she had exchanged matrimonial correspondence with another male from Kerala, while George describes his family, his Hindu mother and Christian father, and his elder brother who has been missing for two months. Neither are aware that George's brother, and the male that Malathy refers to, is one and the same. Will they find out his whereabouts?

Multi-millionaire Balwant Rai is a widower who lives with his daughter Uma and a school going son Amar alias Munna. Since Uma is of marriage-able age, Balwant decides to get her marry to Sunderlall's son Raghuveer and they all move in to live with Balwant at his estate. In order to take cover of Balwant's entire property Sunderlall and Raghuveer first have him killed, locked up Uma in a den and attempt to kill Munna who is saved by a village boy named Mangal. Years later Mangal and Munna have now matured, and Munna has decided to make his friend Mangal the managing director of the entire Rai group of industries much to the disappointment of Sunderlall who has all time been the M.D of Rai industries.

The film opens with the murder of business magnate Amit Singhania (Bakul Thakker) who lives a wealthy lifestyle along with his wife, Ria Singhania (Shamita Shetty), in a spacious bungalow. He runs a company, Spykar Jeans. Ria is asked to co-operates with the Police, who suspect her for foul play as she is the sole proprietor of Amit's business and wealth. The police also suspect Amit's subordinate, Siddharth Sardesai (Parmeet Sethi), who may have killed Amit, who was also having an affair with Sonia Sharma (Sonia Kapoor), who works for an ad agency run by Diwakar. Ria meets with Aditya (Manoj Bajpai), who also works for the same ad agency, and is attracted to him, both get intimate, but Aditya, who is married to Neha (Shilpa Shetty), and has a school-going son,

A timeless Bengali classic, this drama explores the history of mankind - fights, riots, wars, death, destruction, exploitation, molestation. Through the story of 40-year-old Sitanath’s suicide, Sharad and Vasanthi force the audience to introspect and analyse their self-centred and monotonous lives.

As far as he can remember Harinarain Singh alias Hariya has no knowledge of his birth, parents nor of a family home. During a skirmish with some of Thakur Balram Singh's hoodlums, he lies unconscious at the entrance of a temple with the Poojary in attendance, and an elderly unhinged woman praying to God for his sake. When he wakes, the Poojary tells him that the woman, known as "Pagli" (madwoman) is his very own mother, his father was a farmer, Ram Singh, who died of shock when his land was taken away by Balram and his men. Shortly thereafter Pagli passes away, and Hariya swears to take back his land from Balram. A wily Balram transfer this land in his nephew, Balraj's name, who is known to be a close friend of Hariya's with hopes of creating a misunderstanding between the two friends. When Balraj returns home he accepts this land from his uncle and decides to oppose Hariya with all his might, especially when he finds out that the love of his life, Sharda, is living with Hariya.

When an honest school teacher testifies in a rape case against a prominent businessman's son, he is psychologically tortured and forced to commit suicide. His young son then takes the law into his own hands in order to avenge his father.

Orphaned at a very young age, Varsha Oberoi, lives a wealthy lifestyle with her paternal uncle, Jain Oberoi, in Bombay, and has traveled world-wide. She is in love with Vijay, a middle-classed young man, who runs a small furniture store, badly in debt, and lives with his widowed mom, a younger brother, Deepu, and sister, Nanhi, who are very friendly with Varsha. Then Vijay is reunited with his childhood friend, Vikram Chawla, who is welcomed with open arms by the entire family. It is then Vijay's life turns around, he starts getting a lot of orders, gets out of debt, is able to buy a jeep to replace his motorbike, and moves to a comfortable bungalow.

At a preview theatre, a young filmmaker waits in the hope of getting his new sci-fi drama certified with ‘no cuts’ by the conservative men of the Indian Censor Board. The board finds a kissing scene in the film beyond the duration stipulated by official, orthodox rules. The filmmaker and board members argue, but when they enter the movie theatre to review the film, the laws of physics begin to disintegrate, sending these men into a world of chaos.

Vicky loves Meena. He cheats her and she commits suicide. Finally she comes back for avenge.