You gotta stop

A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.

Short comedic subject on the history of photography from the daguerrotype to modern amateur photographers.

A woman reporter is hired by an author-songwriter to help him avoid additional breach-of-promise suits.

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb. Mack Sennett appears as an extra in this film produced by the Biograph Company.

Mr. Jones, since his last escapade, had made strenuous efforts to amend the reputation he had gained in the eyes of the ladies of the Temperance League. But Oh! the ordeal, for such it was, was telling on him, and his pent-up spirits were threatening ebullition, when at last the chance comes. The league arranges to attend a three-days' convention out of town, and when Mrs. Jones departs, Jones sends a note to Smith, telling him to bring the gang, and they would have a "Prayer Meeting," enjoining him not to forget the "fixings." Well, the gang are not long in putting in an appearance, for they feel that every minute's delay is a chunk lost from a golden opportunity for fun.

Discover what Thor was up to during the events of Captain America: Civil War.

A short comedy, adapted from the award-winning play by Tom Crawshaw.

A husband becomes unfaithful to his wife, and buys a bouquet of flowers which he wants to give an another woman. But that woman doesn't come to the meeting, so he tries to get rid of the bouquet.

In Madrid, a tenant agrees to ignore the existence of the other tenant living in his apartment, so that both inhabit the space as if it were an individual use.

A young orphan named Sam yearns to find a forever home, so he and his pet ferret Booger conjure up a little magic.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Dinosaurs and humans evolve and live together throughout history. However, the annoying and invasive behavior of humans begins to annoy Rex, a peaceful dinosaur.

In this Pete Smith Specialty short, a raccoon spends the night looking for food for his family. After his encounters with a skunk, a frog, and a menacing bobcat, he experiences the dangers in a vacant cabin.

A hapless professional gamer goes on an uncomfortable date with a fan.

A group of coworkers buy a piano at a yard sale for a friend in need.

L'Echarpe is the classic story of man, woman, and scarf which unfolds in this imported French short showcasing the Steven Alan Spring 2012 line.

Spider-Ham: Caught in a Ham follows Spider-Ham as he faces off against bad guys, chows down on hot dogs, and makes plenty of food-based puns.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher