Inri. La película de la Semana Santa de Estepa

Parasceve, retrato de una Semana Santa

In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Set in rural South of Spain in the 19th century, tells the story of group of outlaws, from very different origins, trying to survive, hiding from the law enforcement officers in caves in a hilly area, and their struggle against the evil mining company that exploits the poor people of their home village.

A journey into the depths of subconscious of a city formed by human beings. The inhabitants of the city undergo the sessions on the couch. Unlocked by questions, e.g. what kind of animal is the city? they begin their journey into the depths of their own feelings and emotions. The city itself is only the starting point and over time, conversations get more and more intimate. The scenes from life, reminiscences and highly emotional moments interlace with the subjectively perceived shots of the city. They are blending together, complementing and interacting with each other. The fears of the film characters, their desires and unfinished affairs become a common fate.

The film is a cinema version of the popular TV series of the same title.

Stephen Lack talks about playing the lead in David Cronenberg's 1981 sci-fi/horror cult classic SCANNERS.

The film highlights legendary Colombian birdwatching guide Diego Calderon-Franco and National Geographic photographer/videographer Keith Ladzinski as they travel through Columbia, a nation that boasts one of the most diverse populations of birds in the world, to capture footage of rare and unique birds, some of which have never been filmed before.

After the battle against Zogu was over, both Gamu and Fujimiya began to live normal lives until another threat arrives on Earth - a surviving monster soldier of Zogu's army named Gakuzom.

The furnace used to extract rose water in the Sultanate of Oman is known as "Dahjan Al-Ward" (The Rose Distillation). Director Mohammed Al-Ajmi presents his film about the history and details of the rose industry in the Sultanate of Oman.

Two months after leaving his camp in search of a new home, Trevor makes his journey back with answers.

Bhatti Vikramarka (transl. Bhatti and Vikramarka) is a 1960 Indian Telugu-language swashbuckling adventure film based on the life of King Vikramaditya.

Dreamland: Mark Twain's Journey to Jerusalem

The Boys of Bensonhurst, Brooklyn is a story of fathers and sons in three generations, their life choices and the consequences that follow. Grandfather, an ex-mobster, father, an ex-gangsta wannabe - now a turban wearing Sikh, and a hot tempered boy who lives across the ocean with his mom. After noticing her son's lack on interest towards his father, mother and son travel to New York to face the situation. After blaming her ex-husband for years she finally discovers the hidden reason why he is incapable of being present in their son's everyday life.

An essay on how could Welles' Touch of Evil and his story about the border between USA and Mexico influence Trump's imagination.

An audiovisual essay on Douglas Sirk's film The Tarnished Angels (1957). Analyzes a central scene 40 minutes into the narrative, and also refers both backward and forward in order to show the film’s richly elaborated logic of part and whole, repetition and stasis, drama and entropy.

Non Stop Travels with Michel Petrucciani

Príbehy z Kališťa

After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.

"Our analysis of such a rich film should not be a rigid, either/or proposition. It remains for us, almost 55 years on from Contempt’s initial release, to fully grasp Godard’s modernist gestures, poised between a fullness of mythic and classical meaning, and the possibilities of a newly fragmented universe of signs."