Lamat

'Guacho' narrates a summer day in the life of two teenage friends, Maikol and Darío, who want to escape their everyday crushing reality, at least for a day. They spend up to the last penny to get to the mountains where, taking refuge in tranquility and mutual love, they manage to get a grasp of happiness. But freedom does not seem to be so available to them.

Manuel is a gay Latino teen who lacks guidance and support. Even though his mother, Anna deeply cares for him, she is only able to prove and instill her love through video tapes made from afar. Keeping his sexuality and boyfriend a secret from his homophobic father, Manuel must decide the life he wants to live or end.

Marcos, an unsuccessful film director, is immersed in the shooting of his new film, a queer giallo, when a series of terrible murders starts to happen in Barcelona.

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

Best friends Beto and Daniel spend most of their time together. Daniel struggles with his gender identity just to hide his feelings for Beto. To be himself, he has to overcome his fear by showing Beto what he truly feels.

Valerie already sees the bright future alongside her boyfriend, Ewan. Obviously it feels like a punch in the face for Valerie when Ewan suddenly comes out to her as gay. To top it all, Ewan disappears shortly after. With a heavy head, Valerie starts searching for her ex-boyfriend and quickly meets Fynn, who seems to be closer to Ewan than she thought.

Hao, a chubby gay man, works as a janitor at a gay spa. For him, romantic relationships are an unreachable dream. One day, an attractive customer, Kai, walks into the place, and Hao has the opportunity to massage him.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

A collection of gay short films. The 7 short films are: Poor Girl! [Pov' fille !] (2003); Oedipus N+1 [Œdipe - [N+1]] (2003); Piglets [Ferkel] (1999); Tommy Trips [Thomas trébuche] (1999); Breakfast? [Frühstück?] (2002); Sunday Morning (2001); The Case of O [Le cas d'O] (2003).

As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.

Adrian Grenier stars as Sean McAllister, a successful fashion designer who hasn't seen his family in years. He returns to his hometown for a painstaking family reunion that will take him back to his past only to rebuild his future.

Aaron, an apprehensive 18-year-old, is stuck. Stuck in a small town, helping his father in a job he hates. His life is soon turned upside-down when he meets Mike at a party. At first, Aaron denies his feelings but an unexpected kiss changes everything. As he enters into a hidden relationship with Mike, Aaron finds that some secrets are harder to keep than others. The more he explores his sexuality, the more he begins to consider the impact this may have on the rest of his life.

Right after a very intense sexual pleasure, Mikkel’s imaginative lover Marius dumps him and wants out of the relationship because Mikkel still fears to come out of the closet. He gets shocked and surprised as he cannot understand the sudden and drastic decision of his imaginative boyfriend. Marius is his life and it is so painful for him that they will not be together anymore.

A late night hook-up leads Shay and Adam to the bedroom. Before long, chit-chat gives way to passion. But something is missing from their interaction – something that is important to Adam, repellent to Shay – and it soon becomes a sticking point.

A young man catches the eye of another in a public park. The dance begins, the public toilets beckon. For one of them, this is one of many such encounters. For the other, it's the first time.

Eva and David have a complicated mother-son relationship. They try to reach each other but do not quite know how. One problem is the language barrier, as David is deaf and Eva is not very good at sign language. After moving back to her country of birth, Eva comes to Sweden on a short visit, where she discovers what so many parents do throughout the lives of their offspring - your children never cease to surprise you.

When his father passes away, Vijay is forced to return home after a 10-year estrangement and open up to his mother about his sexuality.

A story about a forbidden love set in a village threatened by swollen rivers. Upon his return home for his father’s funeral, Slaven revives his relationship with his childhood friend, a young sportsman named Marko, his teenage love, and the reason his father kicked him out of the house. Now tempted to reunite, they need to make peace with their own decisions and struggle against the family restraints.

Tyler, a young gay man who is HIV positive, must deal with the demons of his past when he is confronted by a mysterious woman.

Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.