Martha

Dr. Tony Flagg's friend Steven has problems in the relationship with his fiancée Amanda, so he persuades her to visit Tony. After some minor misunderstandings, she falls in love with him. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.

Mônica Salmaso - Alma Lírica Ao Vivo

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Tormented and bedridden by a debilitating disease, a mystery writer relives his detective stories through his imagination and hallucinations.

The Ostrobothnian humour group KAJ's music and humour have been very popular in recent years. Here we go back to the spring of 2014 when their performance "Pjäs eller Pjas" drew full houses at Wasa Teater.

La Bohème (Sydney Opera House)

The older boys are graduating school and recount their memories together. The next day everyone defends the graduation ceremony against Zundar and Dadacha's Second-Button Monster, but Yumoto struggles using his love power.

Aeternitas: Rappacinis Tochter

A waitress from Texas and a college student from Pennsylvania meet during spring break in Fort Lauderdale, Florida and come together through their shared love of singing.

When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.

Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh fashion house run by her assistant, Stephanie. There they meet the singer Scharwenka (alias Huck's old friend Lizzie), who gets the band a job. Meanwhile, Madame Roberta passes away and leaves the business to John and he goes into partnership with Stephanie.

Filmed at the Warfield Theatre in San Francisco, California on December 7, 2001, War at the Warfield would become Slayer's first music DVD. Originally set for release on February 13, 2003, it was delayed several times, due to unspecified "production issues". War at the Warfield peaked at number 3 on the Billboard DVD chart with sales of 7,000.

When Chester accidentally memorises and destroys the only copy of a secret Russian formula for a new and improved rocket fuel, he and Harry are thrust into international intrigue, trying to stay alive while keeping the formula out of enemy hands.

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

Debt-ridden painter Michel is overcome with joy at discovering that he has just won 1 million florins in the Dutch lottery, but almost immediately, he discovers that his softhearted girlfriend, Béatrice, has given away his jacket containing the winning ticket to an elderly petty thief. Soon Michel, Beatrice and Michel's artistic rival, Prosper, are hurtling through the streets of Paris on the trail of the missing jacket.

A waitress at the Warner Brothers commissary is anxious to break into pictures. She thinks her big break may have arrived when actors Jack Carson and Dennis Morgan agree to help her.

Franz Woyzeck, a lowly soldier stationed in a mid-nineteenth century provincial German town, is the father of an illegitimate child by his mistress Marie.

In a suburb of Strasbourg, Alsace, France, ten year old boy, Max, spends his summer vacation with his grandmother. He hears Manouche gypsy Romani music being played in a local bar, and loves it. He goes to visit the gypsies in search of a guitar, where he meets a young Romani tomboy, 'Swing'. She introduces Max to her gypsy community who live in caravans and down-at-heel public housing. Over several days, Max is taken into the community to witness Romani lifestyle, traditions, knowledge of plants, and particularly their Manouche music. Max is particularly fascinated by Miraldo, the Romani guitarist he first heard in the bar, and asks to take guitar lessons with him (Miraldo is played by one of the greatest guitarists of gypsy jazz, Tchavolo Schmitt).