The remarkable story of Earl Silas Tupper, an ambitious but reclusive small-town inventor, and Brownie Wise, the self-taught sales-woman who built him an empire out of bowls that burped. Brownie was an intuitive marketing genius who trained a small army of Tupperware Ladies to put on Tupperware parties in living rooms across America in the 1950s. She rewarded her sales force with minks and modern appliances at extravagant annual jubilees which the company filmed. her saleswomen earned thousands, even millions, selling Tupperware. And the experience changed their lives.
The gloomy dungeon of the Santo Oficio gaol in Logroño, northern Spain, is packed with prisoners accused of witchcraft. The sound of mystical chanting drifts out through the bars. It is a desperate cry for help that travels through valleys and mountains until it reaches the hamlet of Zugarramurdi. A young boy wakes up suddenly in the middle of the night...
A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.
Czech Television's epic historical film draws on the breathtaking dramatic life of the great of Czech history, King Charles IV.
Based on the official transcripts of the investigation that followed after the very suspicious notorious death in prison of one of the most important leading men of the South African anti-apartheid movement, Steven Biko.
Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.
All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.
Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.
La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.
Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.
Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.
Since its inception in 1931, Mahishasuramardini has been one of the most popular programmes in Bengali radio, and is currently the longest running radio programme in India, narrated by Birendra Krishna Bhadra. This film is a truthful account of what unfolded in 1976, after Aakashvani decided to replace Birendra Krishna with eminent actor Uttam Kumar in a revamped programme.
A simple, carved figure bought at an auction in New York leads David Attenborough on a global journey from Russia to Australia, from England back to the Pacific. On the way he delves into a history of the stunning stones on Easter Island.
The history of New York City's Apollo Theater in Harlem is given the full treatment.
Trianon
Historian David Starkey tells the story of the Protestant Reformation and how it transformed the face of modern Europe, unleashing fundamentalism, terror and religious violence.
A young lieutenant must persuade a captive resistance fighter to betray his comrades, or enforce a law which states that for every German soldier killed, one hundred civilians must be executed.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Based in the backdrop of 19th century Bengal, Rosogolla is a story of a young man with a romantic heart and brilliant mind — Nabin Chandra Das, who had set his heart on making the most delicious sweet of all time for his wife, Khirodmoni. Rosogolla is a story of the many trial and tribulations in his journey of making something unique, of innocent love, struggle and human aspiration for novelty.
A picture of John F. Kennedy Jr. you've never seen before - new interviews, rare video, intimate new details.