A Special Kind of Love

The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

This short film demonstrates how Howard Shore has distinguished himself as one of Canada's most accomplished - and versatile - composers. During woodland rambles with his beloved dogs, Shore gives free rein to his ceaseless creativity. Whether composing delicate counterpoint or Oscar®-winning movie music, Shore is keenly tuned to a remarkable range of musical expression.

Veneno

This MGM short film narrated by Richard Burton promotes its upcoming major release "The Sandpiper" (1965), starring Burton and his then wife Elizabeth Taylor. Panoramic shots of the ocean, the seashore, and the desert segue into the artistic community with various of its well-known artists at work and play. It all leads to clips from the film being made.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

This profile of storied trumpeter of jazz, Tiny Davis, and her cohort pianist-drummer, Ruby Lucas, is an amalgam of artifacts about the two women, accompanied with poetry by Cheryl Clarke.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

An interview with an UFO whistleblower.

A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.

Argentina, 1960: a true crime story of how secret agent Zvi Aharoni hunts down one of the highest-ranking Nazi war criminals on the run.

The urge to relieve a winter valley of permanent shadow and find gold in alluvial gravel is part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, smelters, former city officials, and a curious cliff-side mirrored disc congregate to form a town portrait. Shot on location in Dawson City, Yukon Territory.

The film approaches the biographies of two women whose personalities were forcibly hidden behind their roles as wives and homemakers. They remained invisible until they themselves became the aggressors.

Short documentary about Twin Peaks: The Return.

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

Bees are one of the most important species on the planet. A look at the trials and tribulations of two particular honeybees over two years from birth to death.

Ryan Reynolds reflects on his childhood, family and career—punctuated by diversions into the charitable side of Twitter to appeal to his Canadian sense of self.

Decades after his play first put gay life center stage, Mart Crowley joins the cast and crew of the 2020 film to reflect on the story's enduring legacy.