Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.
Roberto must choose between desire and love when two women he is involved with celebrate their birthdays on the same night.
Bjørn has gone with his mum on a summerhouse trip. He’s a teenager and is finding life a little challenging in all aspects. When a group of 20 somethings occupy the neighbouring house, an unforgettable summer starts for Bjørn in this intimate coming of age drama, which hones in on issues of gender, intimacy and boundaries.
“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.
Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.
When two strangers cross paths while trying to escape their past, they form an unlikely music partnership that will take them running across rural Australia.
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.
Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.
Louis Friedman, a gay man reeling from a bad break-up, wants to know what the ugliest part of himself is. One day, a strange woman arrives and shows him.
Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops, their courage overcomes the prejudice and corruption of their powerful adversaries.
Hundreds of years after humans have settled on Mars, Regulator Rogul and Lord Jens Maul lead a force of Martians to Earth in order to conquer the planet. Queen Metaphor looks to the gay heroes aboard the Dreamship Surprise – Captain Kork, Mr. Spuck, and first engineer Schrotty – for help.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
Hamid is an Iranian teenage boy whose sexuality brings him into conflict with his family's Muslim beliefs.
The life of Raphaël, a young footballer, is based on a lie: apart from himself, nobody knows that he is homosexual. Those closest to him have no idea. Not even his girlfriend, let alone the team he plays with every day. Unable to express his feelings, Raphaël juggles the work his sport demands with his efforts to keep his secret.
After a small-town wrestling star develops a crush on an openly gay classmate, he is stalked by a grotesque creature that invades his thoughts as he navigates his feelings and struggles to live up to his legacy-obsessed family.
A gay couple realizes they aren't sexually compatible, so they look for a third man. But when betrayal and jealousy sneak in, their relationship shatters into pieces.
For Every Apricot drifts through the shifting terrain of memory, illustrating a grandmother’s journey in search of a “miracle drug” to cure her father’s illness. What begins as a simple family story, unfurls into a meditation on aging, fragility, and the circinate patterns that shape life. Through live-action interview, 16mm and 8mm archival footage, and a tapestry of handcrafted animation, the film moves between what is remembered, what is imagined, and what time has eroded. As she reflects on her father’s illness alongside her own, For Every Apricot becomes a deeply personal family portrait.
Social deprivation, mental illness, addiction, sexuality and drama abound when Jake abandons his wife and kids for Ethan, a young, gay, streetwise charmer. Jake struggles to hide his identity but things come to a climax impacting the hearts and souls of all involved.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
Mathew Devassy, a retired bank manager decides to enter local panchayat elections. Unexpectedly, his wife Omana, shocks everyone by filing for divorce, claiming that Mathew is gay.